The Aesthetic Connotation Of Bridge Models In Song And Yuan Landscape Paintings

Bridges have been widely used since ancient times.A large number of bridges appear in the natural landscape,and the bridge is a building that is very close to nature.The spiritual connotation and aesthetic image of the bridge are gradually reflected in Chinese landscape paintings.In Chinese landscape paintings,the bridge is a "materialized" expression of social structure,cultural traditions and conceptual forms,as well as special structures and Chinese brush painting style.With the gradual maturity of landscape painting,the painting of bridges gradually matured.Bridge has gradually transformed from an elemental image serving the thme in the landscape paintings of the Sui Dynasty into a pen-and-ink image symbol with its unique aesthetic connotation in the Song and Yuan dynasties.This means that it aesthetic image of the dotted bridge in the landscape painting has gradually matured and formed its unique aesthetic connotation.This article uses a large number of pictures in "Collection of Chinese Art · Scroll Painting" as an example.Starting from the image,summarize and sort out the morphological structure,painting method,and the location characteristics of the bridge appearing in the Song and Yuan landscape paintings.Combining philosophical and aesthetic interpretations,in-depth study of the aesthetic connotation of bridge in Song and Yuan landscape paintings.The main part of this article is divided into four chapters.The first chapter starts with a large number of legends of landscape bridges in Song and Yuan landscape paintings,combing and analyzing the shape and quality characteristics,layout and location of the point landscape bridge icons in Song and Yuan landscape paintings.Combining the landscape paintings of the Sui,Tang,Five Dynasties and the Ming Dynasty with bridge,longitudinally summarize the shape and composition of the bridge in the Song and Yuan landscape paintings,and its influence on the Ming Dynasty.From the perspective of two different themes of secular city scenes and rural safari,travel and tourism,bridge is analyzed,and the corresponding characteristics and rheological laws of different bridge shapes are summarized.The second chapter starts from the traditional landscape painting method of viewing and capturing objects,and analyzes the landscape painting method and the evolution process of the landscape painting in the Song and Yuan Dynasties.By comparing the real scenery bridge and the scenery bridge in the painting,it explains how the painter refines and sums up the real scenery bridge and deeply studies the relationship between the realistic scenery bridge and the scenery bridge in the painting.Chapter 3 first discusses the relationship between the bridge in the painting and "Walking,viewing,Wandering,living ",expounding that the bridge provides a place to watch,walk through the spirit,and walk through the air.Secondly,it discusses the combination relationship between the bridge and other different objects.Legend to analyze the different aesthetic images of bridge.The fourth chapter firstly explains the aesthetic image of landscape painting in combination with philosophy and aesthetics,and then further analyzes the aesthetic image caused by different positions of bridge in the landscape painting,and finally analyzes the independent aesthetic image characteristics of the bridge.In short,the spot scene bridge is a spot scene frequently appeared in the landscape paintings of the Song and Yuan Dynasties.It plays an important role in the landscape painting.In addition to the basic research on the image and image of its shape,painting method,etc.,the aesthetic connotation of the spot scene bridge cannot be studied ignore.This article first analyzes the overview and performance analysis of the spot scene bridge,the evolution of the Song and Yuan bridge painting methods,the relationship with other objects,and the creation of artistic conception.On this basis,discover and explore the aesthetic connotations of "transparency,communication,introduction,loading,separation,and hiding" in the landscape painting of the spot-view bridge.From the perspective of aesthetic connotation,the research on the bridges in the landscape paintings of the Song and Yuan Dynasties is carried out in order to make a weak supplement to the previous studies and provide a certain reference value for future generations to study the bridges.