A Study On The Aesthetics Of "Mono No Aware" In The Works Of Japanese New Generation Animation Art Masters

Since the introduction of slide technology at the end of the 17th century,Japan’s animation industry has been developing and settling,and now it has become the world’s leading animation culture.Among them,as the core aesthetic concept of Japanese traditional culture,the aesthetics of " mono no aware" has a profound influence on Japanese animation art.The new generation of animation directors,represented by Makoto Shinkai,while innovating and using advanced CG technology,always adhere to the aesthetic keynote of "mono no aware",forming a new Makoto Shinkai ’s style animation film with unique national characteristics and personal style,which has been highly praised by domestic and foreign audiences and ranked among the ranks of new generation animation art masters.Starting from the formation and development,definition and characteristics of the aesthetics of "mono no aware",this paper makes an in-depth study on the life experience,work style and representative animation films of the new generation animation art masters represented by Makoto Shinkai,and interprets the application of the aesthetics of "mono no aware" in his animated films from the aspects of theme,plot,narrative structure,role design,picture design,vocal music design and image design And further analyzes the advantages of the aesthetics of "mono no aware" in Makoto Shinkai works,the advantages in Japanese animated films and the enlightenment to the development of Chinese animation.In order to combine the national cultural core and aesthetic consciousness,learn from the excellent creative paradigm to develop Chinese animation characteristics.