Shangri-La Area Tibetan Furniture Innovative Design

Because of its rich and colorful culture,Tibetan furniture has formed an aesthetic art with unique cultural connotation in furniture art through historical accumulation.As a part of the cultural system,furniture culture coexists with other cultures,and its production and development must be influenced by other cultures.Furniture decoration is the embodiment and material expression of furniture culture.Tibetan furniture has a long history,self-made system,with a strong national style.Its history of development has changed with the development of the living environment,religious beliefs,living habits and productive forces of the Tibetan people.Because of its special system of political and religious enses,Tibetan furniture has a strong religious color.In addition,it is located in Central Asia,with the domestic Central Plains region,India,Nepal and other close exchanges,in this historical context,the Tibetan people will be the integration of local culture and foreign culture development,so that Tibetan furniture has a unique national characteristics.Shangri-La is located in the Yungui Plateau,is one of the five Tibetan areas,but different from the other two Tibetan areas,it is located in Yunnan,The Tibetan area is surrounded by other ethnic minorities,so the Tibetan area of Diqing area must be affected by other ethnic groups,the thesis mainly studies the unique Tibetan furniture in the Tibetan area of Diqing area,and with the times the redesign of Tibetan furniture in line with the modern aesthetic.However,at present,Shangri-La furniture and other Tibetan furniture in the same area,Tibetan furniture has not developed with the times,whether in the shape or decorative pattern is the traditional Tibetan furniture modeling and pattern,Tibetan furniture industry has not changed.Based on the decoration of traditional Tibetan furniture,the distribution,shape structure,function and decoration of traditional Tibetan furniture are systematically studied by the method of investigation,generalization and finishing,and systematic analysis.First of all,through the field visit to collect the relevant pictures,text materials to the Tibetan furniture category for generalization and finishing,clear the objectives of the thesis research will be collected by the relevant picture data according to function,modeling.Secondly,starting with materials,structure,technology and production tools,the characteristics of Tibetan furniture materials are analyzed,the traditional structure of Tibetan furniture is sorted and sorted,and the traditional craft production methods of Tibetan furniture are systematically summarized.In addition,through comparative research,the decorative theme,decorative techniques and decorative parts of Tibetan furniture are introduced and analyzed in detail,providing a certain reference for modern Tibetan furniture design.Finally,on the basis of the research of the thesis,several modern Tibetan furnitures conform to modern aesthetics and modern life are designed.