Research On The Artistic Prototype And Modeling Characteristics Of Nuo Surface In Pubei

Nuo face is an indispensable ritual props in the performance of folk Nuo opera.It makes the nuo drama performance more mysterious and runs through the whole process of nuo drama story.Mask makes the role of Nuo drama transcend the realistic state and deify the role to enhance the interest of Nuo drama performance.Therefore,there is a saying that "no face,no Nuo".Nuo culture in Pu Bei county of Qin Zhou city is mainly represented by festivals and sacrifices.Local people have a special festival to carry out activities related to Nuo culture.Locals call this particular festival: "Lingtou Festival" and its performance called "Ling Tou dance".This festival has been held for nearly two months,more than half of the villages and towns in pubei county have participated in it,which occupies an important position in the local folk culture.It not only serves as a kind of ritual consolation for people's safe and happy life,but also as the key development object of local cultural tourism.This paper focuses on the research of Nuo culture in Qinzhou from four aspects: the origin of Nuo story,its distribution of villages,the classification of Nuo prototype and the character of Nuo prototype;the analysis and aesthetics of the artistic characteristics of Nuo culture in Qinzhou from four aspects of color,material,shape and decoration;And the inheritance and development of pubei Nuo culture are put forward and put out the feasibility of cultural creation and innovation for its restoration and protection,the creative design of Nuo mask in Pubei is explored as well.This paper hopes that more people can understand the value of local culture,and it is of great significance to preserve local traditional culture and cultural creation.This article takes Pubei Nuo face as the focus of Qinzhou Nuo culture research,and conducts research from the following five parts: The first part describes the origin,cultural penetration and retention status of Qinzhou Nuo play.The second part explores the prototype of the Pubei Nuo mask from the four levels of the origin of the Pubei Nuo mask's story,the distribution of villages,the classification of prototypes,and the personality of theprototype;The analysis and aesthetics of the artistic characteristics of the Pubei Nuo;the fourth part puts forward the conception of the inheritance and development of the Pubei Nuo face,and proposes the feasible plan of cultural creation and innovation from the restoration and protection;finally,the Pubei Nuo mask,The creative design of the noodles was practiced.The development of Nuo culture in China has a far-reaching history,so there is more room for the study of Nuo.Studying the mask face of Nuo opera in Pubei is not only important for preserving local traditional culture,but also important for its innovation.