| Guangcai porcelain,which is called “Canton porcelain”,was produced and developed in Guangzhou for export in the Qing dynasty.It came into being in the course of Chinese and Western culture and economic trade.As an important bridge for the exchange and collision of Chinese and Western cultures and arts,Guangcai porcelain has contained the profound cultural genes of the Chinese nation in its inheritance over 300 years,it also bears the national emotion,cultural spirit and aesthetic ideal of the Chinese people,and is famous for its "heap of gold and jade" and "gorgeous color".On June 7,2008,Guangcai firing technology was listed as "the second batch of state-level intangible cultural heritage".The intangible cultural heritage（hereinafter referred to as "Fei Yi"）contains the profound cultural genes of the Chinese nation,as well as the national feelings,cultural spirit and aesthetic ideals of our country.Over the years,the relevant departments of our country have been exploring the protection of intangible cultural heritage.In today’s high-speed social development,the continuous progress of science and technology under the cultural ecological environment,many non-genetic traditional handicraft out of the original cultural and economic environment,has been threatened in varying degrees.The inheritance and innovation protection of non-genetic traditional handicraft has been agreed at present,but there are still many problems to be solved urgently,it must be inherited and protected in its corresponding cultural environment,natural environment and social environment.In this context,the Chinese government has strengthened its support for the passing on of skills and vigorously advocated the concept of cultural sustainable development,and explore a new way of protection-to establish "living protection,productive protection,ecological protection" Trinity protection system.This thesis will be divided into five chapters from the perspective of cultural ecology to explore the contemporary inheritance and innovation model of Guangcai porcelain.The first part is the introduction,which mainly summarizes the background,research significance,research purposes and research status of the inheritance and protection of Guangcai porcelain and other non-relic handicrafts under the cultural and ecological context,and puts forward the research framework.The second part elaborates the definition of cultural ecology and traditional handicraft,constructs the cultural ecosystem of traditional handicraft,and summarizes the raw materials and technological process of Guangcai porcelain,and the value of Guangcai porcelain The third part analyzes the historical and cultural ecology and the contemporary cultural ecology of Guangcai porcelain from the perspectives of institution,economic system and cultural concepts,as well as the current situation of production,management and inheritance of Guangcai porcelain,it is pointed out that there are many problems in the development of Guangcai porcelain,such as the difficulty of professional training and the lack of product creativity.The fourth part puts forward the "three-in-one" protection method of Guangcai porcelain from the aspects of productive protection,living protection and ecological protection,and constructs the contemporary innovation mode of Guangcai porcelain in the cultural and ecological context.The fifth part launches the research and thinking of the direction of Guangcai porcelain innovation design,and finally carries on the design practice by using the computer technology and the clothing design method. |
