Situation And State-an Analysis Of The Personality Characteristics Of Shitao’s Landscape Painting

The concept of "creating a landscape" first appeared in the aesthetic theory of poetry,and after the introduction of the context of landscape painting,that is,the realm of scenery,the realm of creating a situation,and the integration of structural emotions and scenery,has always been the spirit of the development of landscape painting.Shi Tao’s landscape paintings in the early Qing Dynasty were extremely creative,and the emotions contained in landscape paintings were one of the main reasons for Shi Tao’s major achievements.Mr.Gao Juhan,a famous American art historian,once said: "Among the originalist masters who reached the pinnacle of perfection during the Qing Dynasty,the painter with the broadest vision and the highest skill was Yuan Ji."Yuan Ji is Shi Tao.Mr.Gao Juhan listed Shi Tao as a master of "originalism",shi Tao had a great influence on landscape painting after the Qing Dynasty,and his unique creative practice and painting ideas have a revelatory significance that cannot be ignored in the contemporary painting world.Mr.Gao Juhan lists Shi Tao as a master of "originalism",and this article intends to study the "originality" of Shi Tao’s landscape painting,that is,the personality characteristics of his landscape painting.This includes the idea of landscape painting in his painting theory,as well as the embodiment of unique emotions in his landscape painting.Shi Tao’s painting ideas are embodied in the "Painting Quotations",including the emphasis on the painter’s "subject spirit" and the discussion of the relationship between the "real world" and the "virtual world" in natural life.These painting ideas are also a summary of Shi Tao’s painting practice,and analyzing his painting ideas is also conducive to our deeper understanding of his landscape paintings.The individual imagery in Shi Tao’s landscape paintings is extremely rich,such as pen and ink imagery,the image of the path created in the composition,and the image of the hills and ravines that are winding and winding,which constitute the artistic conception of landscape painting with distinct personal characteristics.In addition,the dot scene figures and inscription calligraphy in his paintings are indispensable and important components of the overall artistic conception of Shitao landscape painting.In particular,the inscription poems are the outpouring of Shi Tao’s true emotions,recording and revealing various emotions and feelings when Shi Tao paints,and these text contents are integrated into the pen and ink imagery of the picture,which is an important part of his landscape painting and expands the picture language conveyed by the pen and ink image.It also helps us to feel and appreciate the mood.