| "Composition" refers to arranging and handling the positions and relationships of objects and images within a certain space or plane.It is known as "composition" or "layout" in traditional Chinese painting,and is an important expression language of Chinese painting.In the theory of Chinese painting,the "business position" put forward by Xie He in the "Ancient Paintings Record" of the Southern Dynasty and the "layout of the layout" put forward by Gu Kaizhi in the "On Painting" of the Eastern Jin Dynasty are both the interpretation of the composition.Zhang Yanyuan in the Tang Dynasty called the "business position" as the general purpose of painting,which shows the importance of the composition in Chinese painting.Shi Tao,an artist and painting theorist in the early Qing Dynasty,had an important influence on the painting world and made innovations in composition.In his painting theory "Bitter Melon Monk’s Painting Quotations",he summarized the composition forms of "triple fold","two segment" and "truncation".Among them,"truncation" is Shi Tao’s most innovative composition method.Shi Tao chooses and integrates natural scenery from a unique perspective,and integrates subjective consciousness and objective nature into the landscape composition,The created images are unique and enable the viewer to better appreciate the beauty of nature that the painter wants to express,thereby bringing the art of painting to a new level.The focus of this paper is to study Shi Tao’s unique method of "interception" to capture scenery and integrate pictures,not just the form of composition.The so-called "I use my own method" transforms Shi Tao’s "truncation" method into the form that best expresses the meaning of mountains and rivers based on the artist’s feelings about the objects,and applies it to my paintings to highlight the artistic conception of the paintings.This article is divided into two parts.The first part explores the different characteristics created by different forms of "truncation" through the research and analysis of the truncated composition works in Shi Tao’s landscape paintings.The second part describes how I intercepted and integrated the natural scenery in the exploration of truncated composition,and formed the picture through the use of clouds and fog,the shaping of thick artistic conception,and the expression of "far" space and artistic conception,so that it can create a dust-free environment. |