| As a master of originality in the early qing dynasty,shi tao's painting art is of high research value.He attaches importance to the ancient art and pays attention to the innovation in painting.Starting from the social and cultural background of the late Ming dynasty and early qing dynasty,this paper expounds shi tao's brushwork language,arrangement and arrangement,painting poems and literati feelings.The rich philosophy contained in the painter's landscape painting greatly promoted the development of the literati landscape and triggered the new trend of painting art in his era.In the language of brush and ink,it is mainly illustrated from the three aspects of texturing method,ink method and the unique abstract expression of dot,line and surface.Shi tao is good at learning from the tradition,but he can learn from others and bring forth the new.In the composition of a picture,shi tao pursues the composition program of "natural division of territory",does not stick to the traditional two-section triplet,and creates his own unique french-truncated and inverted landscape composition.The original "truncated"framing scheme created by shi tao successfully introduces the composition of traditional Chinese landscape painting into a new perspective.At the same time,this chapter,combined with arnheim's art and visual perception,expounds the visual expression of shi tao's landscape painting schema,and analyzes the visual effect of shi tao's landscape painting schema from four aspects of balance,tension,space and light and shadow expression in combination with specific paintings,so as to experience the visual expression brought by the picture with eyes and mind.In poetry and literati feelings,shi tao's lifetime thoughts and poetic journey left a large number of painting poems,which can be roughly divided into two categories:one is the original yearning for the natural scenery of the countryside;the other is to convey the painter's theoretical feelings on painting and calligraphy,and the painter's feelings about the twists and turns in life and career.In the feelings of the literati,the author mainly analyzes the literati feelings expressed in shi tao's landscape paintings from two aspects,that is,the principle of being free from worldly life and having a clear mind,and expressing the romantic feelings with bright colors.Shi tao's ability to bring forth new works is unique in his brushwork techniques,composition and arrangement,as well as the feelings of the literati.Over to the depth and breadth of the painting art theory HuaYuLu with classic landscape paintings,success sparked domestic over the hot trend of art,and to the qing dynasty art it provides the theory basis of landscape painting innovation,even to this day,still guidance over the landscape painting art painting creation and practice of contemporary Chinese painting. |
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