| Taking the group of Chinese female students studying in Japan as the object of study,this paper explores the diversity of female writers literary creation in the late Qing Dynasty and the early Republic of China,and analyzes specifically the literary creation of Chinese female students studying in Japan in order to restore the historical and realistic value of this group Through the research on this group,this paper takes the three original periodicals as reference,and makes a supplement for the research on the development and perfection of the female periodicals studying in Japan and in Japan in the late Qing Dynasty,so as to provide reference for the later research.The paper contains five parts.Introduction.The part gives a basic overview of the preliminary creation of this paper by discussing three aspects: the origin of the topic,the theoretical basis,and the research value approach.The first chapter traces the origins of the Chinese female student community in Japan.By briefly describing the social activities of the Chinese female student community in Japan and improving the basic information of the Chinese female student community in Japan,the historical overview of the emergence of the community is restored,thus defining the Chinese female student community in Japan and providing historical support for the subsequent research.Chapter 2 analyzes Yan Bin’s works in China New Women’s World Magazine.It compares the overview of the journal,and explores Yan Bin’s ideological stance and literary innovations from the perspective of female students and the genre of creation.The third chapter analyzes He Zhen’s creation in Tianyi.Taking the original material of Tianyi as the starting point,it composes an overview of the periodicals of Tianyi;further analyzes the specific connotations in He Zhen’s anarchism and the boldness under the radical language style.Chapter 4 analyzes the creation of Qiu Jin in China Women’s Daily.Using the Chinese Women’s Newspaper as the source,it examines the periodical overview of the Chinese Women’s Newspaper;through the macroscopic thinking and the language of "text and white" presented in Qiu Jin’s text,it explores her interpretation of the essence of Chinese women’s liberation.The Fifth Chapter Discusses The status of female students studying in Japan in the history of literature.It summarizes the remaining female writers in the three journals in terms of identity profile and analysis of their works,lists the collision arguments among the three journals,and grasps the interactions and connections among the three journals;finally,it summarizes the characteristics of the literary creation of the female student group in Japan,and concludes that although the literary creation of the female student group in Japan during the late Qing and early Ming dynasties was full of diversity,it showed similarities in perspectives and ideas;the group not only enriched the literary creation of the extra-territorial group,but also accelerated the progress of women’s liberation in China.These women shine in the literary world and promote the development of modern women’s literature. |