| Since its establishment in the Reign of Emperor Kangxi of the Qing Dynasty,The King Ulanhot Temple in Xingan League has gone through historical ups and downs and modernization changes,with a history of more than 300 years.Wang Ye Temple not only has the characteristics of Tibetan Buddhism culture,but also learned from the Mongolian chanting system of Meili Gengzhao Temple in Baotou city,Inner Mongolia,and established a very unique Mongolian chanting system.As the only temple in eastern Inner Mongolia that recites sutras in Mongolian language,Wangye Temple spreads Mongolian,Tibetan and Han Buddhist culture,which has a profound mass foundation and wide influence among Mongolian people.From 1691 to 1702,Tibetan Buddhism began to recite sutras in Mongolian,teach sutras in Mongolian,hold dharma meetings,recite sutras in Mongolian to pray for blessings,and participate in faith ceremonies and folk activities,all of which reflect the process of Mongolian and localization of Tibetan Buddhism.This paper takes the Mongolian sutra reciting ceremony in Wangye Temple ulanhot in Xingan League as the research object,takes the field investigation as the basis,and cut into the research from the relationship between history and present.Through the cultural context of various Buddhist events and rituals reciting sutra in Mongolian in Wangye Temple,the theoretical research and cultural interpretation are carried out.The first chapter introduces the beginning and end of the establishment of King Ulanhot Temple in Xingan League,the historical changes,and the process of the way of chanting from Tibetan to Mongolian,and the Mongolian chanting is gradually systematized and systematized in the development process.The second chapter,based on field investigation,made a detailed record of the scriptures recited every day and the contents and types of buddhist activities and Mongolian sutras recited in King Ulanhot Temple of Xingunita League,and applied the concept of "Sound" by Cao Benye.In order to understand the various forms and characteristics of Mongolian chanting in Wangye Temple,this paper explains the sounds of Mongolian chanting in wangye Temple,including the human voice of chanting in the ceremony,and the ritual utensils used,and analyzes and studies them through notation.The third chapter gives a cultural interpretation of Mongolian chanting in Wangye Temple,explaining the social and cultural connotation of Mongolian chanting from the aspects of holding rituals and chanting functions. |
