A Study On The Modernity Of Chinese Urban Paintings From 1978 To 1999

This thesis takes the Chinese urban theme paintings from 1978 to 1999 as the research object,and takes the modernity theory as the perspective,aiming to explore the expression and modernity of the urban theme paintings in this period.This thesis is divided into four chapters: the first chapter introduces the concept and time definition of urban theme painting,the research purpose and significance,the current research status at home and abroad,the research content and methods,the key points,difficulties and innovations;the second chapter explains the modernity The concept and basic connotation of this thesis,the applicability of modernity perspective to this study,and the development of Chinese and Western urban paintings;Chapter 3 is the key chapter of this thesis,combining with specific social and historical situations,it focuses on the analysis of urban landscape,urban population The connotation and expression of modernity and modern lifestyle paintings;the fourth chapter summarizes the characteristics of the expression content and expression methods of Chinese urban theme paintings from 1978 to 1999,and expounds the reference significance of urban theme paintings to contemporary art in this period.This thesis believes that the urban theme paintings from 1978 to 1999 have rich modern connotations,which express the new changes and new appearances of urban landscapes,urban people and urban lifestyles during this period,and express people’s perception of modern things in daily life.experience and feelings.At the same time,urban-themed paintings during this period explored and accumulated experience in the use of modernism and other Western artistic expressions to depict Chinese reality,and the use of traditional Chinese painting techniques to express new social life.Type,these are the important connotations of the modernity of Chinese painting under the new historical background.