On The Development Of Modern Landscape Painting And Ink Language And Inheritance Of Tradition

From zongbing’s "Chang God" and Wang Wei’s Xu painting to the prosperity of Li Guo and Yuan dynasties in song Dynasty and the further development of modern times,landscape painting has left a profound footprint in the long river of history from immature to mature and then to innovation.Among them,the brush and ink study of landscape painting has appeared a lot of different arguments since ancient times.In short,brush and ink is a tool that we hold in hand and apply on paper to record,but it is also a medium used to convey beauty and the painter’s thoughts and emotions.Therefore,brush and ink in Chinese painting has been endowed with a variety of different meanings as an abstract representation.That is to say,from the simple study of brush and ink,to the analysis of brush and ink language,and then from brush and ink to the expression of the painter’s personal thoughts and feelings,the status of brush and ink in Chinese landscape painting has become more than just a painting tool.In the process of analyzing pen and ink language,this paper mainly discusses from the two general directions of inheritance and development,respectively expounds the importance of the two for pen and ink language,and leads to specific examples from these two points,and then analyzes with these specific examples.