A Study On The Application Of Liu Sanjies Film:and Television Works From The Perspective Of Film-folklore

Liu Sanjie culture is a famous cultural symbol of Guangxi Zhuang Autonomous Region,which not only bears the life outlook and spiritual feelings of zhuang people,but also includes many Guangxi folk customs,forming a set of all-embracing Zhuang folk custom system,and Liu Sanjie has become a well-known symbol of Chinese culture at home and abroad.This paper uses the cross research method of drama and film and television studies combined with folklore,supplemented by relevant research theories and perspectives of narrate,semiotics,anthropology and aesthetics,to study the folk customs of Liu Sanjie’s films and discuss how they participate in film narration.How to construct images with regional and ethnic temperament and what humanistic purport has been realized through the application of these folk images.This paper not only focuses on the analysis and interpretation of the application of specific folk customs,but also compares the evolution of the two Liu Sanjie films under the purport of The Times,nations and countries,in order to reveal the purport of the construction and dissemination of regional and national cultural images.This can not only provide reflections on the entry of Guangxi folk custom into film and television creation mainly by Liu Sanjie,but also provide some references for the interaction between film and television and folk custom,the construction of film and television folklore and the study of ethnic minority films.This paper consists of five chapters.Chapter one discusses some concepts derived from the interaction between film and television and folk customs.Based on the current research results of the intersection of film and television and folklore,further attempts will be made to clarify the research horizon of film and television folklore from the perspective of genre creation and discipline construction.In addition,a comparative discussion will be made with film folklore and other related concepts,so as to reflect on the survival of film and television folklore.In addition to providing the corresponding theoretical support for the following text analysis,the theoretical analysis in this chapter is also expected to provide some references for the future research on the interaction of film and television folk customs.The second chapter is to sort out the existence of Liu Sanjie as a cultural symbol and the process of her entry into film and television creation.First of all,it analyzes the existence of Liu Sanjie in these forms of literature and art from the perspective of folk literature and drama art,and finally transitions to the existence of Liu Sanjie in film and television art.The zhuang folk songs as fairy tales,the first is a form of folk literature in the legend,finally into the artistic creation,increasingly impressive artistic creation Liu Sanjie,Liu Sanjie opera theatre field including the stage works,drama works of Liu Sanjie and live-action drama works,and so on,and as a unique art form of Liu Sanjie Cai Diao drama.Finally,the film and television creation of Liu Sanjie’s theme is traced back,and the transmutation of its image and image expression is compared.Finally,the "modernity" of Liu Sanjie’s theme and the continuation of liu Sanjie’s theme film creation are discussed.The third chapter analyzes the narrative participation image presentation of folk customs in Liu Sanjie’s film and television works,which is mainly based on Liu Sanjie’s film works.Entered the stage of film text analysis in this chapter,according to the folk academic circles Mr Zhong Jingwen classification of folklore,the image of liu sanjie film can be divided into material folk custom,social folk custom,spiritual folk custom,language,folk four categories,and based on the film and television text think can not be ignored in the analysis of "landscape",the natural landscape in the text are taking the function of the narrative space,In order to comprehensively analyze the presentation of its folk customs and its narrative function in the film.The fourth chapter to the image of "Liu Sanjie" in dialysis cultural expression,from the first ethnic,national and era proposition to blanket "Liu Sanjie" movie theme,and detailed analysis to undertake the third chapter of the analysis of the specific image,to further the spread of its connotation,feelings and other context,as much as possible to fully present Liu Sanjie "movies" cultural orientation.