Research On The Visual Expression Strategy Of Festivals Comics Of Sacrifice To The Sea From The Perspective Of Image Narrative

With the rapid development of modernization,folk festival culture is facing severe challenges of inheritance and development.In the era of reading pictures,comics,as a communication carrier,have a role in promoting the spread of folk festival culture.In order to improve the efficiency of cartoon conversion of folk festival culture,this paper excavates the cultural characteristics and connotations of festivals of sacrifice to the sea,including the Fishermen Kaiyang Xieyang Festival,the Fishing Lantern Festival and the Jing Ha Festival.From the perspective of image narrative,this paper proposes a visual expression strategy for festivals comics of sacrifice to the sea,so that the cultural genes contained in the folk festivals can be effectively exported,so as to help the cartoon visual transformation of festivals of sacrifice to the sea,so as to provide the cartoon conversion for festivals of sacrifice to the sea or other types of folk festivals.The traditional and ancient festivals of sacrifice to the sea can also enrich the visual content of comics and improve the role of comics in entertaining.First of all,it sorts out the research status of festivals of sacrifice to the sea,the visual representation of comics and its research status from the perspective of image narrative,and concludes that there is currently a lack of research on the visual representation of comics in the festival at home and abroad.Secondly,it expounds the basic concepts of comics,and sorts out the division mirrors,character shapes and colors that mainly carry the image narrative function in comics.By sorting out the Fishermen Kaiyang Xieyang Festival,the Fishing Lantern Festival and the Jing Ha Festival in the national intangible cultural heritage,this paper summarizes the characteristics of sea god belief,entertainment and human beings in festivals of sacrifice to the seas and discovers the cultural connotation of harmony in the sea of people,cherishing ancestors,and putting harmony as the most important thing.By consulting the literature,this paper expounds the concept and types of image narration.Image narration is mainly divided into static image narration and dynamic image narration,and static image narration includes single image narration and multiple image narration.Thirdly,this paper analyzes the relationship between festivals of sacrifice to the sea and cartoon visual expression,and analyzes the interaction between festivals of sacrifice to the sea and cartoon visual expression.In the form and connotation of festivals of sacrifice to the sea,the content of visual expression of festivals comics of sacrifice to the sea is refined.Finally,from the perspective of image narration,it locates the audience and media of festivals comics of sacrifice to the sea.According to the characteristics and connotation of festivals of sacrifice to the sea,the principles and methods of the visual representation of festivals comics of sacrifice to the sea are put forward.The difference between the metaphorical principle and the narrative principle of festivity is its distinctive connotation.The methods are to construct the space-time of image narration by juxtaposition of grids,clarify the key points of image narration by combination of mirror sequence,instantly supplement the image narrative context by role modeling and dynamic,create the image narrative atmosphere and highlight the image narrative theme by color symbol.By combining the above positioning,principles and methods,this paper determines the visual expression strategy of festivals of sacrifice to the seas comics from the perspective of image narration.This paper takes the Jing Ha Festival as the design object,and uses the design scheme to prove the feasibility of the visual expression strategy of festivals of sacrifice to the seas comics from the perspective of image narration.So as to broaden the transmission channels of folk festival culture and light up a bright light for the innovation and transformation of comics of folk festival culture.