Summary Of Cursive Script In Qing Dynasty

Cursive script is one of the most important calligraphy styles,but most of the research on cursive script in recent years focused on the song,Yuan and Ming dynasties.To the Qing Dynasty rarely dabbles,often the researcher in to the Qing Dynasty calligraphy research focuses on the epigraphy development.But the Qing Dynasty cursive script also had an important development.Based on the social background of Qing Dynasty,combining with the theory of cursive calligraphy and its calligraphers,this paper summarizes the development of cursive calligraphy in Qing DynasThe introduction first reviews the current research situation of this topic.In the past,little research has been done on the cursive script of the Qing Dynasty.Most of the research on the calligraphy style of the Qing Dynasty has focused on the study of Stele,and the research on cursive script is very little,even if there is also a study of a book,not a comprehensive system.Based on the social background,calligraphy theory and calligrapher’s works of Qing Dynasty,this paper summarizes the development of cursive script in Qing Dynasty.The first chapter introduces the ecological environment of the development of cursive script in the Qing Dynasty,first,the destruction of the cursive script in the Ming Dynasty after the entry of the Manchus into China,second,the obstruction of the mainstream ideological trend in the Qing Dynasty to the development of cursive script,and third,the education and development of cursive script in the Qing Dynasty,fourthly,it summarizes the influence of engraving and pasting on cursive script in Qing Dynasty,which lays a foundation for better understanding the following main contents.The second chapter introduces the theory of cursive script in Qing Dynasty and its calligraphers.This paper deals with the study of cursive hand writing in Qing Dynasty,the debate on the origin of cursive hand writing in Qing Dynasty,the influence of Steles on cursive hand writing in Qing Dynasty,and the records of the development of cursive hand writing in the theory of calligraphy in Qing Dynasty.The Third Chapter Discusses Several problems in the development of cursive script in Qing Dynasty.The emergence of the phenomenon of extensive cursive script in the Qing Dynasty,the so-called extensive cursive script also refers to the phenomenon of semi-cursive and semi-official script,semi-genuine six-character script and semi-seal character script in the Qing Dynasty,at this time,the Licao,Cao Li,zhuancaoshu style and jian-du ink appears in the licao style is different,this phenomenon is known as “Pan-cao calligraphy.”.Then it discusses the phenomenon of familial aggregation of cursive script in Qing Dynasty.Because of the separation and development of cursive script and general script,cursive script gradually developed into lyric script after Song Dynasty.In the Qing Dynasty,cursive script also had regional development,which was prosperous in the south and declining in the north.Most people who were good at cursive script came from the southern regions of the Yangtze River,such as Dantu,golden chamber,Jiangyin,Wujiang District,and Cheung Chau.This paper also discusses the dilemma of the Qing People’s practice of cursive script,the restriction of the development of cursive script after the rise of Steles and the misleading of the method of obtaining cursive script under the prevalence of forgery.The Fourth Chapter analyzes the aesthetic orientation of the Qing Dynasty cursive script,one of which is the aesthetic trend of the Qing Dynasty cursive script under the imperial power.The other is the Qing Dynasty cursive script to the two kings a series of inheritance of cursive script.The third is to Fu Shan,Wang Duo as an example,analysis of the Ming Dynasty adherents class cursive aesthetic.The Fifth Chapter Discusses The development and application of the Qing Dynasty cursive script,the development of the Qing Dynasty cursive script,the Qing Dynasty cursive script and the revival of the late Qing Dynasty.