Analysis Of The Way In Which Intangible Cultural Heritage Documentaries Are Involved In The Observation ——Take The Graduation Work Luanzhou Shadow Puppet As An Example

Tangshan shadow play,also known as Luanzhou shadow play.Luanzhou shadow puppetry,centered on luanzhou in ancient times,was widely popular in eastern Hebei,Jingdong,Liaoning,Heilongjiang,Inner Mongolia and other places.It was popular in Beijing during the Ming and Qing Dynasties.Luanzhou shadow puppetry has a history of more than 400 years since the late Ming and early Qing Dynasties.Luanzhou shadow puppetry was listed in the first batch of national intangible cultural heritage in 2006.In terms of artistic presentation,Luanzhou shadow puppetry has high ornamental value and folk culture research value with its unique singing voice,diversified accompaniment and specific performance form.Luanzhou shadow play is a comprehensive art of folk painting,paper cutting,sculpture and dance.As a performing art,Luanzhou shadow play is mainly active on stage and theater.Shadow play dissemination channels are limited,the audience is single,the audience is few.With the development of current digital media,luanzhou shadow puppetry image can better realize the value of communication and provide a better entry point for the current development dilemma of Luanzhou shadow puppetry.In this study,the fieldwork of Luanzhou shadow puppetry,an intangible cultural heritage project in Tangshan,was conducted,and the research and analysis were carried out in combination with the literature research method and the expert interview method.Comb through the development and current situation of shadow puppetry in Luanzhou,and understand the existing archives of non-hereditary heirs.The focus is on the narration and reproduction of luanzhou shadow puppets "past and present lives",in order to give reference to the protection and development of Luanzhou shadow puppets,the current intangible cultural heritage of Tangshan,and to pay attention to the current situation of non-genetic heirs.The intangible cultural heritage documentary "Luanzhou Shadow Puppet" is not only a work presentation,but also an excavation of the cultural mission of non-genetic inheritors.For the exploration of the perspective of intangible cultural heritage,it is determined to complete the documentary filming in the form of first-person focused internal perspective,field interviews,and non-genetic population history.Closely following the method of participating in the creation of observational documentaries,based on first-hand video materials,interview materials,and literature materials,riveting pictures and texts,and processing in the form of simultaneous sound and voiceover,this documentary with intangible cultural heritage inheritors as the main characters has been completed.Compared with the popular art that spreads strongly,Luanzhou shadow puppetry belongs to a niche art,because more and more young people have lost interest in shadow puppetry,and as for non-genetic inheritance,it is facing the dilemma of human death.Focusing only on the documentary "Luanzhou Shadow Puppet",the author approaches the life world and art world of folk artists through participatory observational shooting,so as to salvage and touch the confusion,worry and expectation of folk artists.