Analysis On The Creation Of Big Character Regular Script "Seven Laws·Long March"

As the most visually striking character in calligraphy,The purpose of this paper is to explore the use and artistic aesthetics of big characters based on Yan regular script.The grace of Yan style is strong and gives people a solemn visual enjoyment.In order to break through the magnified too dignified,the original Yan regular script integrates the vicissitudes and antiquity of cliff regular script with the original Yan regular script tone,and expresses its unrestrained feelings with boldness and indulgence,giving people an impact full of pride.In the modern calligraphy exhibition,the works have various forms,exquisite strokes and profound skills.A few works are exhibited in regular script,while the probability of large character regular script is very few.In the process of creative practice,this study selects Chairman Mao’s poem "seven laws Long March",which expresses the difficulties and obstacles overcome by the Red Army on the road of the Long March,and reviews Mao Zedong’s joyful fighting pride in leading the long march.Under this historical background,the common expression of big character regular script and heroic poetry is formed by the heavy ink expression of big character regular script.At the same time,in the creative process,the "cleverness" of stippling,the "retraction" of structure,the "virtual reality" of composition and the "thick and thin" contrast of ink color are added to promote the upsurge of big characters again.At the end of the paper,it also emphasizes the importance of extra word Kung Fu and calligraphy form to the creation of works.As a calligraphy major,it requires a higher understanding of its own calligraphy culture.