A Poetics Study Of "Pratyaksa"

Under the background of the dynastic changes of Ming and Qing,"Monsieur Chuan-Shan" Wang Fuzhi first put forward the poetics of "Pratyaksa",and studying its poetics connotation,and distinguishing itself with "Now","Ready" and "Honesty",which is the most creative proposition in his poetics view.A comprehensive review of the research process of the theory of "Pratyaksa" shows that academics often discuss "Ready".It is generally believed that "Pratyaksa" is a creation mechanism with aesthetic intuition as its core feature,and it is rare to analyze the aesthetic characteristics of "Pratyaksa" from the perspective of the total.In this thesis,on the basis of combining previous academic studies,the theory of "Pratyaksa" are further explained and explored.This thesis is divided into two parts: introduction and text.The introduction mainly introduces the origin and research significance of the topic,systematically sorts out the research status of "Pratyaksa" since 1980 s,and puts forward the research idea and purpose of this thesis.The main body is divided into four chapters,which respectively explore the poetic theory of "Pratyaksa" from four aspects,namely,deological origin,the relationship between subject and object,poetic spirit and realistic significance.The first chapter is the ideological origin of the theory of "Pratyaksa",and discusses the theoretical basis of "Pratyaksa" theory from the origin of buddhist meaning,the origin of poetic theory in the previous dynasties and Wang Fuzhi’s philosophical thoughts.From the perspective of its meaning origin,the word "Pratyaksa" was formed directly from the term of buddhist dharma.On the basis of inheriting the previous poetics on the relationship between mind and matter and direct searching thinking,Wang Fuzhi also applied the concept of energy and space in his philosophical thoughts,and finally gave birth to the aesthetic concept of "Pratyaksa".The second chapter is the subject-object relationship of the theory of "Pratyaksa",which respectively discusses the theory of subject-object essence,the theory of subject-object creation and the theory of subject-object reception.Individual uniqueness,present temporal nature and instantaneous consciousness constitute the essential characteristics of "Pratyaksa".The author has an isomorphic relationship with the object image in his personal aesthetic experience,which faithfully shows the reality of the object state and physical reality,constituting the subject-object creation mechanism of "Pratyaksa".While readers feel the works with true feelings,resonate with the text,and measure the essence of the author and self,which constitute the acceptance mechanism of "Pratyaksa".The third chapter is the poetics orientation of the theory of the "Pratyaksa",aiming at analyzing the poetic spirit and life aesthetics of the theory of the "Pratyaksa".The theory of "Pratyaksa" is the call for poetic expression,and takes the pursuit of intuition and grasping the current emotion as the best aesthetic approach.On the other hand,"Pratyaksa" is also the understanding of the meaning of life,taking playing with the present,penetrating into the self and reality of life as the highest aesthetic ideal.The fourth chapter is the practical significance of "Pratyaksa",and tries to explore the enlightenment of "Pratyaksa" to today’s society.Looking at the fast pace of modern life,the poetic wisdom of "Pratyaksa" is still full of vitality and vitality,which can give some enlightenment to improve the quality of creation and settle the mind.Thus,it shows the value of Wang Fuzhi’s construction of "Pratyaksa".