Gao Weijie’s Music Analysis And Singing Analysis Of“Yuan Song(Three)”

In recent years,with the improvement of China’s comprehensive national strength,the confidence of Chinese traditional culture has also been continuously enhanced.As an important cultural symbol of China,ancient Chinese poetry’s artistic songs have attracted much attention from the industry.As one of the famous contemporary composers in China,Professor Gao Weijie has played a positive role in promoting the development of Chinese art songs,especially the ancient Chinese poetry and art songs."Yuan Song(Three)" is a vocal music suite composed by Mr.Gao Weijie in 2012.It is composed of three ancient poetry art songs and an instrumental interlude.The work takes Yuanqu scattered as the word,using the combination of Chinese and Western creation techniques,the song style is unique and distinct.This paper tries to investigate the artistic connotation and realistic significance of the works through the comprehensive analysis of the creator,the creation background,the music ontology,combined with the problems encountered in the author’s singing practice.It is hoped to enrich the relevant literature reserve related to this topic,and better apply the relevant theories to the singing practice.The full text mainly consists of six chapters.Chapter I The Introduction,This paper is the purpose of the topic,the significance of the topic and the domestic and foreign status of research analysis;The second chapter is for the creator and his creative background,Around the lives of the three songwriters and one composer,respectively,Clarify the connotation of the lyrics and the creation background of the whole set;The third chapter is the musical features,The main analysis of the three song style and piano accompaniment,And try to explain the form structure and cultural connotation of the set of song;The fourth chapter is the singing analysis,From the author’s singing practice,Summarize the main skills and difficulties and the work style,role and emotion control processing;The fifth chapter is the aesthetic value of this vocal suite,Including the creative aesthetic value and the singing aesthetic value,Is the author’s real thinking in the singing practice;The last chapter is the conclusion,It briefly states the views and the conclusions of this paper.