Research On “Recall” In Bachelard’s Imaginative Poetics

Gaston Bachelard,a French philosopher and imaginary poet,lifted imagination to the level of ontology with the declaration of "I dream,therefore I exist",forming a imaginative poetic system with a personal character.In this system,childhood memories,as a kind of “personalized” content in imaginative poetics,reveal the inherent contradictions in Bachelard ’s thoughts,in which he deals with the relationship between memories and imagination,past and future,moment and continuity The method implies his contradiction against the continuous theory and the failure to divide the dualism of science and poetry.At the same time,it also provides a new perspective for rethinking the significance and limitations of Bachelard’s imaginative poetics.Chapter I :The first chapter is the history of imagination and the connotation of imaginative poetics.This chapter first summarizes the history of imagination.It presents the imagination of the western world from ancient Greece to the period of Romanticism.Then it discusses the connection between Bachelard’s imagination and romanticism,especially German romanticism,and argues that Bachelard’s imagination benefits from the romantic imagination,but transcends it in essence.Finally,focusing on the connotation of Bachelard’s imaginative poetics,it mainly discusses from three aspects of imagination concept and "imaginary ontology".Chapter II: The Development of Imaginative Poetics: The Key to the Transformation from Psychoanalysis to Phenomenology.In this chapter,first of all,I questioned the way in which Bachelard’s imaginative poetics were divided.To the entire imagination system.Then analyzes the psychoanalytic method used by Bachelard in the elemental period,and believes that under the objective framework of psychoanalysis,there is a private voice in his imaginative poetics.This voice was finally clearly confirmed in the phenomenological way,and pointed out that Bachelard’s phenomenological turn was closely related to the change in his imagination and the increase in personalization(childhood memories),It also points out that Bachelard’s dualistic approach of separating science and poetry has eliminated the “worries of the future” for the development of its imagination and the construction of its ontological position.Chapter III: Writing and Strategies of Childhood Recall in Imaginative Poetics This chapter first briefly discusses the relationship between recollection and imagination,and points out the two reasons for Bachelard’s different attitudes towards imagination and recollection,as well as his efforts to maintain these two factors.Relevant coping methods adopted.Then analyze the imagination experience and creative issues involved in Bachelard’s early imaginative poetics from the discussion of related childhood memories,and point out the strategies adopted by Bachelard in order to maintain the creativity and future of imagination.In the later period,this strategy was further transformed into a way to spatialize "time" to block the stretch of time and break the shackles of time through "imaginary memory",which was intended to oppose Bergson’s "stretch" theory.Chapter IV:This chapter is based on the significance of imaginative poetics based on childhood memories.This chapter aims to point out the significance of Bachelard’s narrative and strategy of childhood memories.He argues that in order to avoid the "continuity",Bachelard’s relationship between imagination and memories The re-explanation and reorganization of the past with a current perspective has its own phenomenological significance.The fusion of the past and the present reflects a "depth" of existence.On the other hand,his approach also shows the contradiction of his internal thoughts,so that it is difficult to succeed in theoretically getting rid of the "stretching" framework.We can reveal this contradiction through the relevant discussion of childhood memories.Finally,because childhood memories have special significance in the entire imaginative poetics of Bachelard,its rich exposition adds a nostalgic style of "pastoral pastoral" to his imaginative poetics.This point provides clues for us to understand the significance and limitations of Bachelard’s imaginative poetics for today’s social reality.