Research On The Evolution Of Mi Fu’s Writing Style

Mi Fu’s running script has a huge and far-reaching influence in the history of calligraphy.As a representative of the "Shangyi" calligraphy style in the Song Dynasty,to study his calligraphy art,we must first start from the most basic link of brushwork.This article uses the method of chart comparison,literature analysis and practice summary to study Mi Fu’s writing styles in different periods,discusses the changes of his writing styles in different periods,and discusses its influence on the structure and composition of Mi Fu’s running script,and then discusses Mi Fu The reason for the change in the style of the work.The first chapter briefly discusses Mi Fu and his artistic characteristics.Including the relationship between his calligraphic thoughts and brushwork,and the characteristics of his writing brushwork;then a brief comparison of his works in different periods in brushwork;according to the time span of the works,Mi Fu’s running scripts are divided into three types: early,middle,and late It summarizes the influences and changes of works in different periods under the environment of "Shangyi" calligraphy in the Northern Song Dynasty.The second chapter focuses on the works written in the early "preparation process".The works show more imitating and pursuing the "fa",which benefited from the early learning and method of the Tang people in Changsha,as well as After visiting Su Shi,the process of transforming the subjects of the law into Jin people is more obvious in the works after Hangzhou.Including the works of his predecessors obtained in different regions,they have a great influence on him.The third chapter mainly discusses the gradual "liberalization" of the mid-term works based on the "collection of ancient characters".Specifically,there are obvious changes in the brushwork.The works of this period show two different styles of brushwork,one is to take the momentum from side to side,the brush is more vigorous and sharp;at the same time,there are works with more natural and smooth brushes.Compared with the former,the rhythm of using the pen is more jumpy,while the latter is more relaxed.The fourth chapter mainly discusses that the later works are more "indulgence" and more unrestrained on the basis of "intentional",presenting the pure personal interest of "improperly ask the clumsy,let the pen and play empty".However,this kind of work with strong "freehand brushwork" presents a kind of writing that emphasizes the sharpness of the brushwork in the brushwork.The "flat" style works that coexist with it are relatively conservative in their brushwork,and tend to focus on the center.