Research On The Formation And Development Of Chen Jiru’s Running Script Style

In the late Ming Dynasty,the social transformation was extremely intense.In this period,the field of ideology,culture and art is very active,and the trend of humanism begins to emerge.A large number of artists who take innovation as their own responsibility have created a brilliant style of advocate posture books.Chen Jiru is a famous calligrapher in this period.Chen Jiru’s running script has distinct characteristics in writing,ink and composition,especially his special writing method marked by “pinch pen”,which plays a key role in the formation of his running script style.This paper makes an exploratory study of Chen Jiru’s growing social environment and artistic development at that time,and makes an in-depth analysis of Chen Jiru’s writings,calligraphy works and book theory at all ages,from theory to practice,from macrocosm to microcosmic,to sink the logic and demonstrate repeatedly,so that Chen Jiru can learn from the past to the present,from the top to the bottom,and gradually form a unique personal style of calligraphy more clearly,let the aesthetic significance and social value of Chen’s style of calligraphy be more prominent,let the development and change of Chen’s style of calligraphy and the influence on the style of calligraphy of later generations be more positive,in order to inspire the inheritance and innovation of contemporary calligraphy art.The first chapter of this paper mainly studies the general situation of Chen Jiru’s life.It focuses on the background of Chen Jiru’s time and the life track of the calligraphers and painters who have frequent contact with him,such as Dong Qichang,Mo Shilong,who is also a teacher and a friend,and Wang xijue,the first assistant at that time.It explores the close relationship between the formation of Chen Jiru’s running script style and the social fashion,literati and elegant life style at that time an indivisible relationship.The second chapter mainly analyzes and studies the various factors of the formation of Chen Jiru’s running script style.This chapter is divided into four parts: historical factor,time factor,teacher factor and personal factor.First,focusing on the works and works handed down by Chen Jiru,this paper analyzes Chen Jiru’s understanding and absorption of the classic works,mainly studying the influence of the classic works of Yan Zhenqing,Su Dongpo,Mi Fu and Zhao Mengfu on Chen Jiru;second,it analyzes the guiding role of the literary trend of thought in the late Ming Dynasty on Chen Jiru’s creative thought of writing books,and focuses on the continuous completion of the rise of Zen in the late Ming Dynasty on Chen Jiru.The third is to analyze the relationship between his teachers and his successors,to reveal the significance of take the calligraphy of contemporary famous scholars as a model to Chen Jiru’s establishment of calligraphy skills and spiritual system,and the fourth is the quit as a scholar of his reclusive life on his running script style.The third chapter is the analysis of Chen Jiru’s writing style.Through the analysis of the writing process of Chen Jiru’s works,this paper tries to speculate on the various power forms that may appear when the author completes his works,and then to finish all the-round interpretation of Chen Jiru’s writing style.The fourth chapter discusses the influence and enlightenment of Chen Jiru’s running script style.One is the influence of Chen Jiru’s style of running script style on late Ming and Qing Dynasties.The other is based on the contemporary calligraphy creation,exploring the enlightenment of Chen Jiru’s calligraphy practice on our copying and creation,inheritance and innovation,techniques and expression.