Algorithmic Vision

Benjamin believes that the emergence of science and technology has obliterated the "aura" of art."In other words,charming art will be transformed into mechanical reproduction art,from the worship value of art to the display value,from the focus of art acceptance to the focus of entertainment acceptance" [].The combination of technology and art brought about by the industrial revolution is a tool used to bewitch people and make evil look decent;in the consumption era of "entertainment to death",the marriage of technology and art is more like a chess piece driven by interests;in today’s "post epidemic" era,long-term peace and life warning make people face temptation more and more rationally.And how many other possibilities can art and technology combine? In the 21 st century,science and technology have developed to a point where the human brain can not easily imagine.The barriers between disciplines are gradually thinning and will be broken,When ENIVAC was invented,Who could have thought that an artist could accomplish countless calculations about the world with a computer? And what information is hidden behind these developments that we should absorb and abandon?With the invasion of western culture,the combination of art and science and technology has become the trend of the times.In the face of "cultural confidence ",where should our artist create?Based on the above problems,this paper discusses the following points: 1.The origin of "algorithm" and the history of the combination of art and technology cannot be separated from the behavior of the real world behind countless technologies.Only a breakthrough in thought can make it possible.In Benjamin’s theory,religious belief is the cornerstone of the invention and prevalence of technology;2.Through the analysis of the visual works of Japanese artists Tatsuo Miyajima and Ryoji Ikeda in the combination of art and technology,this paper explores more possibilities of the combination of art and technology;3.In the transformation and application of cultural input and output,Japanese artists all have parts worth learning.Taking Tatsuo Miyajima and Ryoji Ikeda as examples,this paper discusses their artistic sources,causes and types of work structure,etc On the possibility of our creation and our own culture.After combing the history and analyzing the artists’ works,the author believes that: 1.In the face of globalization,refining the characteristics of their own culture,colliding and integrating with advanced science and technology may be a new way of "algorithmic vision";2.Improving the inclusiveness of works,reducing the elitism of Art,as Beuys said,human vision is a new way Everyone is an artist.There is also a Chinese saying,"when people gather firewood,the flame is high.".When the public’s participation is higher,the connotation and dissemination of the works will have a good effect;3.Cross domain integration can use more primitive technology.In the combination of music and image,Ikeda uses mathematical principles,quantum mechanics and other theoretical logic,and his works show the beauty of hard edge,which enlarges the volume and shocks people.This paper explores the characteristics and creative path of "algorithmic vision" through the case study of historical materials and artists.It needs to be pointed out that "algorithm" is synonymous with science and technology in modern times,but this paper does not intend to emphasize "technologism".On the contrary,this paper hopes to explore more possibilities in specific cases after combing the origin of "algorithm" and the history of technology and art.