On Auditory Culture In The Visual Age Aesthetic Construction Of “aura”

The full text has an introduction,a main body,and a conclusion.The introduction explains the purpose and significance of the subject research and the status quo of research at home and abroad.The main body of the article demonstrates the aesthetic construction of the "aura" of auditory culture in the visual age from the following three aspects possibility.First of all,the first chapter first relates and compares the connotation and characteristics of the traditional auditory culture from the "aura" level of visual culture,and summarizes the connotation of the traditional auditory culture’s "aura" based on related theories.It can be divided into "immediateness and locality" and "naturalness"."Immediateness and locality" are all related to the time and space of traditional auditory culture,and "naturalness" is related to the content and aesthetic perception presented by traditional auditory culture.Moreover,the aesthetic subject needs to further accept the "aura" of the traditional auditory culture,and produce corresponding aesthetic feelings with the connotation of the "aura",which can be roughly divided into the following two characteristics.One is "aesthetic experience:subject-object interaction",The interaction between the aesthetic subject and the object promotes the "aura" experience of traditional auditory culture.The second is the "acceptance method: emotional resonance".The aesthetic subject produces a certain emotional resonance when receiving and perceiving the "aura" of the traditional auditory culture,and this emotional resonance has the dual role of spiritual collective and psychotherapy.The second chapter explores the changes and problems of the "aura" of traditional auditory culture from four aspects.First,technology has changed the “immediateness and locality” of auditory culture,while the dual nature of technology makes the “spiritual” of auditory culture The time and space of "rhyme" has changed;second,from the perspective of naturalness and spatial alienation,exploring the current auditory cultural space has lost its high-fidelity naturalness,but it has given the aesthetic subject more emotional experience of tension and anxiety;Third,after the traditional auditory cultural space is divided into public and private spaces,on the one hand,the public space is full of sound hegemony,which not only affects the lives of the public,but also invisibly governs the right to speak,causing the "aura" of auditory culture to appear dislocation The phenomenon.On the other hand,when the individual auditory senses of the aesthetic subject are filled with different sounds,the aesthetic subject can freely choose and roam in different auditory cultural spaces,and can also participate in the process of sound production;fourth,traditional auditory culture The emotional resonance brought by "Aura" has been replaced by other forms after art or assimilated into similar aesthetic perceptions,such as "sound art" and "immersive" new media art works,while studying these traditional auditory culture "Aura" The changes and problems of "" established the cultural context of the current era for the construction of an auditory culture with "aura" aesthetics.The third chapter constructs the possibility of the "aura" of the current auditory culture from three aspects,so that the traditional "aura" of the auditory culture returns to the original aesthetic connotation.The first is from the "cross-media" of the "aura" of the auditory culture.The transformation of "sexuality" studies the state of auditory culture and the perception changes of the aesthetic subject,and then studies the characteristics of the communication and communication process of "aura" in the technological age from the mode of "intermediary" and interpretation;the second is from The textual presentation,dissemination process,and aesthetic acceptance of "aura" under visual culture have changed the status quo of audiovisual dislocation,and then the "aura" of auditory culture is given and the consumption mechanism is used to reverse the degeneration of sound fetishism and listening.The "aura" of auditory culture is inNowadays,a new aesthetic experience is produced,and related production and consumption mechanisms are further constructed to promote the characteristics of "aura" throughout the production and consumption;the third is the reorganization of the cultural connotation of the "aura" of the auditory culture and the aesthetic experience to make it personal Aesthetic experience is integrated into the social cultural connotation,related links are added,the process of aesthetic experience is improved,and new meanings are revealed.The final concluding remark is to summarize the full text of the research and come up with relevant conclusions,make further prospects for the logical construction of auditory culture in the future,and envisage the relationship between vision and auditory culture.