Application Of "boneless" And "broken Ink" In Ink Painting

As a kind of traditional techniques,boneless method and ink breaking method are more and more used in flower-and-bird paintings.As the diversity and creativity of paintings become increasingly rich,the boundary of techniques becomes blurred.The development of The Times and the exchange and integration of culture and aesthetics make Chinese ink painting constantly show new situations and features.This paper will be no bones and broken ink as a technique and the symbol of the spirit of traditional ink,never bones and broken ink development and evolution,techniques for reference and interpretation,to the extension and enrichment of techniques and in the creation of the use of these aspects;Taking the inheritance of traditional ink and the change of The Times as the premise of creation,the expression form of boneless figure painting is used to express the thinking on the current real life,and the creation material is drawn from the life to make the art rooted in reality.The practice and exploration,innovation and change of Chinese ink and wash language reflect the development course of Chinese ink and wash painting.The forms and techniques of contemporary ink figure painting are more free and the subjects are more extensive.We should also draw nutrients from the traditional experience and techniques,inherit the core image thinking and taste of ink and brush,and achieve "copying the ancient without muddling the ancient".