The Aesthetic Study Of The Nationalization Of Drama In Guilin Anti-japanese War Culture City

During the Anti-Japanese War,drama shouldered the historical mission of cultural resistance and promoted the victory of China’s Anti-Fascist War.Guilin is the cultural center of the rear area.A large number of drama workers came to Guilin to carry out the drama movement.Drama creation and stage practice in this period showed a tendency of drama nationalization.In the mutual learning of drama and opera,the theater in Guilin demonstrated the national spirit,promoted the cultural development of Guilin,and played a political role in cohesive and morale-boosting.Under the war environment,Guilin City’s dramas are not lacking in aesthetic interest.They both draw lessons from Western aesthetics and express Chinese classical aesthetics.Dramatic thoughts and stage forms have undergone considerable changes.This article analyzes the national aesthetics of Guilin drama from the perspective of aesthetics,and combines the drama text and drama concept to show the beauty of the national drama of Guilin Anti-Japanese War Cultural City.This article is mainly divided into five parts.The first chapter is the introduction,combing the literature research of predecessors,and expounding the research methods and research content of this thesis.The second chapter introduces the background of the nationalization of Chinese drama,interprets the connotation of the nationalization of drama from three levels,analyzes the formation of the cultural city of the War of Resistance in Guilin,and the national crisis has spawned the exploration of the nationalization of drama.Chapter Three analyzes the dramatic creation and practice of Guilin’s representative dramatists,examines the performances and theatrical movements of Guilin Anti-Japanese War Cultural City,including Guilin’s drama groups,drama publications,and "ethnic forms" disputes,and grasps the tendency of drama nationalization during the Anti-Japanese War.The fourth chapter explores the national transformation of drama in form and content,the innovation of Guilin city drama in stage art and drama connotation,and shows the development of national spirit and national consciousness in drama.The fifth chapter takes drama art as the main body,further analyzes the nationalization of Guilin’s drama aesthetics,deeply interprets the national characteristics of Chinese drama,and explores the aesthetic spirit of drama.This article takes the drama of Guilin Anti-Japanese War Cultural City as the research object,and innovates the research on the nationalization of Guilin Anti-Japanese Cultural City drama from the aesthetic point of view,in order to show the drama charm and aesthetic value of Guilin Cultural City more deeply.