A Study Of The "view" In Kawabata’s Literature

The observant “eyes”,created in the literary works by Kawabata,convey unique view points,including “viewing” colour,“viewing” style,“viewing” heart and“viewing” posture when presenting the artistic world.“View” involves the object of view,that is “viewing” colour.The view points conceived by Kawabata are different from the conventional visible world.The “eyes”of “man” in the book always focused on objects characterized by flowers in mirror,rainbow in the air and shadow in the light,which constituted the distinctive and impressive “visual image” drawn by Kawabata in the written text.Hence,the space of language is expanded.“View” covers filed of vision from point to whole,that is “viewing” point.To be specific,“viewing” point includes rapid “view”-the eyes briefly stay on the objects;flowing “view”-the eyes continuously stay on the objects;and spatial “view”-the range gradually shrink or expand.Diversification of viewpoints,which contributes to the emergence of diverse picture effects,sometimes leap,sometimes continue and sometimes view from above.Thus,the description structure of the novel is given.“View” also considers the enlightenment of “I”,that is “viewing” heart.Penetrating the virtual world with enthusiastic and aesthetic view,Kawabata diminished the building between objects and “I” in the circle between beauty and ugliness,prosperous and decline,vacuity and reality.Accordingly,the “mono no aware”,the “loneliness”,the “mystery” of the objects become the center,the beated heart,of the works.A huge literary world core and multi-storey beauty equation are formed.“View” states an appearance of Kawabata’ literary art which is gradually structured from “viewing” colour,“viewing” point and “viewing” heart three dimensions development,that is “viewing” posture.“viewing” posture is the embodiment of the standpoint of Kawabata’ literary among Japanese literature and even world literature.Through it,we can trace the inheritance and development of traditional Japanese literature and culture,the collision and coexistence with modern literature,and the reference and absorption of western literature.From the external “viewing” colour and “viewing” point to the inner “viewing”heart,and then to the external “viewing” posture,“view” constitutes a “out-in-out”aesthetic movement.We can learn from the clarity of the “view” in Kawabata’literature that the written text enable to show depiction of the world and things which can also depict by pictures or other ways,and then a new artistic world is created in the recurring interaction between word and image.