| "New Literati Painting" is an objective cultural phenomenon in the history of Chinese art in the 1980 s and 1990 s.It is to return to the traditional pen and ink for the purpose of group exhibition as the main form of development,the painter group has a unified national style.Among them,the group of "new literary painting" mountain and water painters brings together many influential artists in contemporary Chinese painting,Its artistic history continues from the 1980 s to the present day.They emphasize the form of painting printed in one,pay attention to "Calligraphy and painting as one",pay attention to the vivid charm and mood expression.In addition,they also learn from the western art of modeling,color,a variety of painting skills deconstructed and recombined to form their own pen and ink style.In this paper,the "new literati painting" landscape represents the type and characteristics of the painter’s pen and ink style,and discusses its artistic appearance and artistic value.This paper will be through six chapters of the "new literary painting" mountain painter group pen and ink style:The first chapter includes the significance of the study,the current situation of the study,the purpose and method of the research,research innovation points;The second chapter analyzes the development course of "new literary painting",the composition of the group of "new literary painting" artists,the characteristics of the group presented,there is also the classification basis for the formation of group pen and ink style.The third chapter mainly analyzes the style and characteristics of ten artists: Fang Jun,Zhu Daping,Chang Jin,Chen Ping,Lu Wei,Cheng Dali,Wang Wei,Zhao Wei,Zhang Weiping and Lin Haizhong.Through classification induction,comparative research and other methods to comb the group painter’s pen and ink style between the similarities and differences,to explore the overall art style of its painting school.The fourth chapter discusses the overall characteristics of the group pen and ink style of the "new literati painting" landscape painters,the aesthetic significance and value of the pen and ink,and the influence on the contemporary Chinese landscape painting.The fifth chapter analyzes the shortcomings in the development of "new literati painting" landscape painters,as well as the enlightenment of innovation and development to contemporary Chinese painting.Chapter 6 summary. |
