| The late Ming Dynasty and the early Qing Dynasty were the flourishing period of literati painting and title,at this time,literati with many portraits were everywhere.In the 11 th year of Kangxi reign,Zhu Yizun asked the painter Dai Cang to draw〈Yan Yu Gui Geng Tu〉,intending to express his heart of seclusion,and then scholars began to chant it.Gu Xiu’s〈Du Hua Zhai duo Ji〉 includes four portraits handed down by Zhu Yizun,among which is 〈Yan Yu Gui Geng Tu〉.This picture is the earliest "Gui Geng Tu" kind of portrait,and its influence has continued to this day.This paper takes "Zhu Yizun〈Yan Yu Gui Geng Tu〉and its chanting" as the topic,based on the portrait and chanting text of Gu’s edition of 〈Yan Yu Gui Geng Tu〉 and referring to other literature,combs all the relevant materials of Zhu Yizun〈Yan Yu Gui Geng Tu〉,and interprets the "personality" and "image" of the image in the portrait by investigating the drawing,spreading and accepting process of Zhu’s painting To understand Zhu Yizun’s mental journey from middle age to old age.This paper is divided into five chapters.The introduction part introduces the reason,value,research status and research methods of the topic selection,focuses on the "literati portrait and its chanting" and expounds the related concepts.The first chapter discusses the drawing of Zhu Yizun’s〈Yan Yu Gui Geng Tu〉.First of all,through the portrait painting and the appearance of literati "group images",it shows that it was a common custom for Zhu Yizun to invite painters to draw his own portraits in the early Qing Dynasty.Secondly,it searches the number of Zhu Yizun’s poems in 〈Pu Shu Ting Quan Ji〉,and focuses on the analysis of Zhu Yizun’s representative paintings,so as to understand the literati life of his paintings.Finally,through the analysis of the painters,pictures and paintings The interpretation of the implied meaning of the portrait attempts to restore the true picture of the painting,and to explore the implied information in the picture.The second chapter is mainly to demonstrate and analyze the spread process of Zhu Yizun’s〈Yan Yu Gui Geng Tu〉 after the completion of the portrait,as well as the spread of the works copied by Dai Cang,such as Gu’s copy,Luo pin’s copy,Gu Xiu’s copy and so on.The third chapter is the inscriptions and poems analysis of Zhu Yizun’s〈Yan Yu Gui Geng Tu〉.Zhu Yizun’s state of mind when he drew this picture is deeply understood by the chanting text of the painting of returning to farming in the misty rain.The change of Zhu Yizun’s state of mind can be seen from the two opposite life states of "jiang hu zaijiu" and "yanyuguigeng".How Zhu Yizun changed from the wandering state of "jiang hu zaijiu" to the seclusion state of "yanyuguigeng",and the image he wanted to present to the audience through portraits.Different interpretations in different periods.In the fourth chapter,Zhu Yizun’s acceptance of 〈Yan Yu Gui Geng Tu〉 is to analyze the later scholars’ acceptance process of "image" and "personality" in 〈Yan Yu Gui Geng Tu〉 through the later generations’ copying behavior of Yanyuguigeng and the singing behavior of sub rhyme words,as well as the influence of Zhu Yizun’s〈Yan Yu Gui Geng Tu〉 on the later "Gui Geng Tu" images Demonstration significance.After the cost of the picture,What is the symbolic meaning of such images with "Gui Geng Tu" as a cultural symbol;whether these works still have the connotation of the original image;what is the difference between them and Zhu Tu;whether they are just to show respect for Zhu Yizun or to use them as a carrier of self metaphor,this chapter will explain one by one. |
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