| Since the Art Deco Movement at the end of the 19 th century,the development of adornment in oil painting has gradually become diversified.No matter in the form of expression,artistic style or the use of materials,adornment language has its own uniqueness in oil painting.Since the impressionism period,oil painting has gradually evolved from the reproduction of objective objects to the expression of subjective will and the enhancement of the visual effect of the picture.The use of decorative language gradually began to appear in the works,and promoted the formation of western expressionist oil painting,and finally got a liberating development in the creation of expressionist painters.Painter in want to break the bondage of past forms,deal with the western expressionism oil painting decorative language of more in-depth analysis and research,understand the characteristics of its art language and the spirit behind the point,so as to better to explore the new direction of decorative oil painting form,make decorative language form in the creation of more rich.Based on expressionism oil painting of the decorative language as the main research object,to explore the aesthetic features of decorative language and form,and the spirit behind expressionist decorative language to give priority to,using literature research,design,analysis,case study method,was carried out on the related data,such as sorting,induction and analysis,perfecting the theory system of the article,the research direction of establishing clear.This paper is mainly divided into four chapters.First,the research content is clarified,and the concept and development of expressionism and decoration are clarified.Secondly,it explores the aesthetic features and form composition of decorative language in expressionist oil paintings.The aesthetic features are simply explained from the six features of planarity,abstraction,exaggeration,symbolism,interest and individualization.The composition of decorative language expression forms is mainly analyzed from five aspects,including composition,modeling,color,brush strokes and texture,and combined with the works of Chinese and foreign expressionist oil painters.Thirdly,combining the works of expressionist oil painters to explore the spiritual direction behind decorative language,which is mainly divided into five aspects: the mystery of primitive material,the conversion of religious spirit,the integration of national culture,the experience of personal life,and the ideal of visual beauty;Fourthly,through research and study on the application and development of decorative language in Chinese oil painting,as well as the inspiration of decorative language to my creation and my application practice. |