A Study Of Agricultural Cooperative Novels From The Perspective Of Novel Art

Mainly appeared in the 20 th century 50-70 s agricultural cooperative theme novel has been widely praised when published,after the rise of “pure literature” trend in the new period is criticized more ups and downs.In recent years,there are LIU Na “how to write about the literary evaluation of the work-reread Entrepreneurship History and take it as an example”,represented by the "negation of negation" thinking to re-evaluate the value of this kind of work results,for the agricultural cooperation theme novel research provides a new way of thought.This article is along this line of thought,from the perspective of novel art cut into these texts,with style differences,narrative perspective,plot structure and character image shaping and other issues as the focus,to carry out specific analysis,discuss its "how to write",in order to give this kind of works in the history of modern and contemporary Chinese novel art to enjoy the position.In the view of novel art,this paper first discusses the overall style differences of cooperative novels.According to the use of language art and the characteristics of plot structure,it is divided into two types: "literati writing" and "peasant writing".It is believed that "literati writing" has the aesthetic style of idyllic poetry,as well as the difference between political theory and comedy.There are differences between "reunion mode" and "light comedy mode" in "peasant writing".This way of division according to the author’s aesthetic concept,does not mean to distinguish which is better or worse.Style difference depends on the comprehensive effect of various factors of content and form.Part of the narrative perspective of "peasant writing" in agricultural cooperative novels is the storyteller’s perspective,but this paper thinks that this is actually a "storyteller’s perspective",which implies the ideological consciousness of intellectuals and the modern values of literati.Another kind of description of rural life from the perspective of intellectual omniscient narration shows the writer’s psychological identity to different degrees of peasant culture.In addition,such novels adopt such plots as "coincidence","suspense" and "ups and downs",which are common in popular novels.Most novels adopt network structure,while others are interwoven between main and secondary lines.This kind of subject matter novel has the successful reference to the serious literature and the popular novel.Characters are the center of novels,and the level of character shaping is an unavoidable topic to study such novels.This paper starts with the image of rural cadres in the novels of agricultural cooperative theme,and divides these characters into three categories: "positive image","middle image" and "negative image".The positive image reflects the author’s ideal,among which the most prominent is the Socialist newcomer image such as Liang Shengbao,Xiao Changchun and Gao Daquan.The authenticity of this kind of image is controversial at the beginning of its birth,and it is questioned more after the new era.However,this paper believes that although they are elevated,they do not lose the authenticity of art in general,and also have certain artistic appeal.The reason is that this kind of image is based on the prototype of life,and they are consistent with traditional Chinese folk morality."Intermediate image" refers to a kind of grass-roots cadre image between the image of rural grassroots cadres in the positive and negative ones.This kind of image is represented by "Gu Xinmin" in Golden light,which highlights the complexity of characters and is also close to the logic of life,thus highlighting the ideological depth of this kind of theme novels.Even "negative figures" are not all symbols of demonization and clown.Therefore,there are many successful examples of the three types of characters in cooperative novels.