| The late Ming and early Qing Dynasty was an important period of academic culture transformation.The development of the Book of Songs was gradually getting rid of the influence of the style of Ming Dynasty.Under the guidance of the thought of practical use of the classics,it set off the trend of retro antiquity and advocating the truth.Most of the books of the Book of Songs in this period have the characteristics of "both Han and Song Dynasties" and the Mao Shi Ri Jian is one of them in Kangxi.The main body of this paper consists of four chapters.The first chapter based on the research method of "knowing people and discussing the world",has a thorough understanding of Qin Songling and his family and family origin from his life experience.He also chooses to examine the family and family of Qin family in Xishan where Qin Songling is located.The author chooses to examine the objects of Qin Songling’s extensive travel.According to the identity and content of the objects,the author divides them into three parts: teachers,old family friends and some celebrities.The second chapter of the text begins to enter the Mao Shi Ri Jian.The whole style,the setting of the text and the structure of the citation are explained respectively.Mao Shi Ri Jian has a simple style of interpretation,and compares the previous research results with each other,pointing out the advantages and disadvantages of each family.The third chapter of the text analyzes the basic position of Mao Shi Ri Jian.Qin Songling,on the one hand,continued the traditional political and religious views of the grand preface of Mao poetry,attached the Book of Songs to historical events to enhance the enlightenment,on the other hand,he could also appreciate the inner feelings of the author of the Book of Songs and abide by the principles of the praise and satire of the Han Confucianism.The fourth chapter,starting from the two academic models of the Book of Songs,focuses on the Sinology embodied in Mao Shi Ri Jian and philosophical theories of Song scholars.The idea of poem is analyzed in detail.In Han Dynasty,Qin Songling mainly cited the exegetical interpretation of Mao’s Zhuan and Zheng’s Jian,and showed the tendency of textual research in some poems;in Song studies of the Book of Songs,he opposed the theory of non basis comparison and derivation,advocated returning to the text and directly experiencing the poetic meaning through the way of expressing silence;he also paid attention to the understanding of the artistic expression techniques of the Book of Songs by Song Confucianism,and to some extent,he regained his understanding of the artistic expression techniques of the Book of Songs.It has restored the literariness of the book of songs.Although Qin Songling used some basic methods of Song learning in the process of governing poetry,his basic idea of governing poetry is still based on Sinology.Qin Songling also corrected the malpractices of both sides in the process of closing up the Han and Song.He not only corrected the influence and the lack of evidence of the Han Confucianism by the way of “poetry”which was based on the literature of Song Dynasty,but also refuted the shortcomings of Song scholars’ lack of dependence and the idea of being limited to the small feelings by the orthodox political and religious view that the Han scholars emphasized historical facts and the basis.In the early Qing Dynasty,the latter is the basic starting point of Mao Shi Ri Jian in the specific historical environment... |