The Theory Of Eastern Zhou Period Bronze He With A Lifting Beam

Bronze He with a lifting beam are mainly popular in the middle and late Spring and Autumn period to the Warring States period.Its shape is small mouth,flat bulging belly,three-footed feet,meandering head with beast head,and part of the utensils with openwork on the side of the abdomen opposite to the flow.There is a cover,and there are handles on the shoulders.The main body is distributed in the ‘’Qunshu” Cultural Area,the Cultural Area of the Middle and Lower Yangtze River and the Central Plains Cultural Area.It is the most numerous and most typical type of Bronze He during the Eastern Zhou Dynasty,so its research is quite important.Due to different emphases,previous studies mostly focused on the sequence of the entire Bronze He or focused on one aspect of the Bronze He as well as a single object,and could not specifically focus on the type of Bronze He with a lifting beam during the Eastern Zhou Dynasty.In-depth research,so many aspects of the Eastern Zhou Dynasty.Bronze He are still to be explored.This article intends to conduct a more comprehensive and in-depth study of the Bronze He with a lifting beam in the Eastern Zhou Dynasty on the basis of previous studies,using statistics,archeological stratigraphy,typology,and cultural factor analysis methods,including the Bronze He with a lifting beam analyzing the name and function,form evolution,stage,origin,and regional style of Bronze He with a lifting beam,so as to have a more comprehensive and in-depth understanding,with a view to correspondingly corresponding to Bronze He from the perspective of cultural region,country and ethnicity.Categorized to discuss the cultural dissemination and exchanges between the vassal states in the Eastern Zhou Dynasty.This article is mainly divided into the following parts:The first chapter,the introduction part,sorts out the research situation of Bronze He with a lifting beam from ancient times to the present,and draws nourishment from it.It also discovers the remaining problems and determines its research purpose,content and significance.Chapter Two discusses the naming and function of Bronze He with a lifting beam.On the issue of naming,comparing the Bronze He and the “Jiao”,it is believed that this type of Bronze He with a lifting beam should not be called “Jiao”,but should be classified as“Jiao”,and “Jiao” should also be classified into the “He” category.This division is more conducive to the evolution of the entire sequence of the Bronze He with a lifting beam is studied.Regarding the function of Bronze He with a lifting beam,by analyzing the positional relationship of the utensils in the tombs of the unearthed Bronze He with a lifting beam and the function of the scorpion,it is concluded that the Bronze He with a lifting beam should be a water vessel in the early period of the Eastern Zhou Dynasty.The inference of its function gradually becomes prominent.The third chapter is the typological analysis and the origin of Bronze He with a lifting beam.In terms of typological analysis,the Bronze He with a lifting beam is divided into six phases for research,and it is found that the Bronze He with a lifting beam has its special shape,ornamentation and modeling in the cultural area of each period,and draws the law of its evolution.In addition,starting from the origin of the vessel type,the relationship between the Bronze He with a lifting beam tripod and the “Tongtang tripod”and the “Xishou tripod” was explored to study the mystery of the origin of Bronze He with a lifting beam.The early form evolution and origin of the Bronze He with a lifting beam is also a key point in exploring the extension and development of bronzes in the “Jianghuai”area.It has contributed little to a more comprehensive understanding of the direction of the bronze wares in the Eastern Zhou Dynasty.The fourth chapter analyzes the regional style of Bronze He with a lifting beam.In this part,according to the rule of evolution,decoration and modeling characteristics of Bronze He with a lifting beam itself,it is classified into three cultural areas,namely the“Qunshu” cultural area,the cultural area of the middle and lower reaches of the Yangtze River,and the Central Plains cultural area.The style of Tiliang Gu in the cultural area is analyzed and summarized,and it is believed that the cultural style contained in it is closely related to its politics.By sorting out the style characteristics of each region,we can deduce the cultural belonging of certain Bronze He with a lifting beam whose ethnicity and country are not clear.Concluding remarks,make a certain summary of the full text,and put forward related issues that have not been studied in depth in this article,with a view to better solutions in the future.