| Bronze tree as the most special type of Shu bronze,showing a unique artistic characteristics.It is the embodiment of the spiritual world of the Shu people and the crystallization of the national culture of the Sichuan area.At present,there are many studies on the Shu bronze tree,such as archaeology,theology,and sociology.But there are relatively few studies based on fine arts.The previous studies are scattered and lack of systematic discussion on the evolution of Shu bronze tree.The details of the Shu bronze tree sculpture language,shape evolution,artistic style and regional cultural value and other issues need to be explored.This paper is based on the research method of fine arts,taking the emergence and death of the Shu bronze tree as the basic context,combing the changes in its production technology,modeling characteristics,image meaning and so on,using this method to study the evolution of the artistic language of the Shu bronze tree.This paper compares and analyzes the similarities and differences between the Shu bronze tree and the tree-shaped wares in surrounding areas,and analyzes the relationship between Shu culture and surrounding culture.Looking for individuality in commonality,the author explores the regional performance of the Shu bronze tree in modeling system,function application,expression method and content,so as to guide the connotation of Shu regional culture.This paper provides some thoughts on fine arts for an in-depth understanding of the social conditions of the Shu cultural circle from the pre-Qin period to the Han and Wei period,as well as the formation of the pluralistic and integrated structure of Chinese civilization.This paper attempts to make the research systematically show the evolution of bronze trees from altars to folk,and touches on the regional cultural spirit contained in Shu bronze trees,analyze the aesthetic psychological structure behind the regional culture,and interpret the value of the times of the Shu bronze tree. |
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