| This paper focuses on the "mood" expressed in Qian Xuan’s flower and bird paintings.On the one hand,it explores and composes the inheritance and breakthrough of Qian Xuan’s flower and bird paintings to the Nan Song courtyard paintings,and dares to try to use new painting techniques to break the shackles of the Nan Song courtyard flower and bird paintings by "washing"."The above is a brief analysis of the reasons for the formation of Qian Xuan’s style of flower and bird painting.On the other hand,because Qian Xuan was a painter who excelled in "folding" flower and bird paintings,his unique compositionandelegant coloring made a bold breakthrough and transformation of flower and bird paintings,thus adding a sense of solitude and freshness to the picture.As a transitional painter in the late Song and early Yuan dynasties,Qian Xuan had a certain influence in the Yuan dynasty painting scene,but because he retired from the world and devoted himself to painting,and he did not have any heirloom texts or disciples to pass on his painting art,the biography of Qian Xuan is very precious,and this paper will also sort out and re-examine the achievements and influence of Qian Xuan’s bird and flower painting from the documents that can be consulted.The "elegance and lightness" of Qian Xuan’s painting and the "ethereal" layout of the picture will also be elaborated and analyzed in more detail in the article. |
