Research On The Contemporary Context Of Chinese Painting Character Creation From The Perspective Of Heterogeneity And Isomorphism

Civilization breeds art,and art is closely connected with cultural thoughts and humanistic trends of thought.For Chinese painting,it bears the wisdom and civilization of the Chinese nation,is the creation of cultural concept,era symbols,is not human for natural simple simulations of instinctive reaction,but with the mind to the image,with the help of pen and ink to express their feelings and interest,it is because of this,it gradually becomes the foundation of the Chinese nation for thousands of years of spiritual civilization system.With the change of times,people’s social environment and life style have long been completely different from the ancient poetic painting scene and context,which makes the creation concept of contemporary Chinese painters have also changed.Chinese painting creation in the trend of diversification development characters,but there is still a style is similar,creation form stereotypes,overemphasis on pen and ink language skills such as problem,these problems have already been exist,although the ancient times but now with the rapid development of the exhibition and museum of art,also improve,people’s attention to Chinese paintings,Therefore,these problems are easy to cause aesthetic fatigue or ambiguity for the viewers,and they are more and more distant from The Times,society,culture and other aspects,making the viewers unable to empathize with them.So how to improve this problem is the contemporary creators should seriously consider the problem.The context of Chinese painting character creation in the traditional Confucianism,Buddhism and Taoism philosophy has a unique nature compared with western painting art.It emphasizes the pursuit of the philosophical thought of "the unity of nature and man",constructs a creative context of the harmony and unity of emotion and reason,intuition and reason,human and nature,which contains profound aesthetic images,and pays attention to the artist’s heart source emotion of "all things in his mind" and the pursuit and expression of artistic conception itself.This is somewhat similar to the theory of heterogeneous isomorphism in western gestalt psychology in the 20 th century.Therefore,this paper takes the development of the context of the creation of Chinese painting characters as the main line.First,based on the traditional aesthetic thought of Chinese painting,it analyzes the creation of Chinese painting characters and the context of their creation.The summary of the process of the context of the creation of Chinese painting characters can better analyze the inheritance and evolution of the context.It is realized that the creation of image and the expression of artistic conception are the key to determine whether a painting can convey aesthetic feeling,and also a core throughout.This paper tries to analyze the generation of aesthetic image,the process of idealization,the process of materialization and the principles of organization in the contemporary context of Chinese painting character creation with the theory of heterogeneity and isomorphism.From the perspective of psychology and philosophy,the contemporary context of the creation of Chinese painting figures is expanded,while avoiding the heterogeneity and isomorphism and ignoring the influence of past experience on people.It holds that the development of contemporary Chinese character creation context should break through the bondage of international context,obsolete context and blind following context,and try to provide a new creative idea for the development of contemporary Chinese character creation on the basis of adhering to the traditional painting idea.