Research On Intertextual Application Of Collage In Chinese Native Ceramics

The concept of "collage" was perfected in the western discourse system earlier.Along with the prosperity and development of western modern art,such as Cubism,Dadaism and Surrealism,collage precisely catered to the rebellious mentality of western artists eager to break away from the shackles of tradition at that time.Therefore,collage art,as a most distinctive means,stands out among the great currents of modern art.The application of western collage art can be summarized as: the application of collage means and the integration of collage thinking.However,the definition of collage in China is very vague.Although the consciousness of collage has been integrated into the creative work of our ancestors as early as in the Neolithic Age,it has not formed a conceptual definition with Chinese local characteristics.Therefore,the discussion of collage art in the local context of China has important national and times values.Among them,the author thinks that Chinese folk "monk’s robe of patches",is a very typical Chinese representatives of collage of ideology,it is compatible with the collage method and collage thinking at an organic whole,implies a kind of special significance in the process of stitching,namely in break immobilized on the basis of the overall sense of form,will otherwise unrelated content elements,through the art of "suture" technique to establish a connection.For the modern ceramic art,the suturing mechanism also ACTS as a key part in building the modern and contemporary ceramic art language,main show is modern and contemporary ceramic art of ceramic material itself,is no longer restricted to modelling language to material constraints,break the barriers between the various materials,to give the possibility of a material of fusion,The communication and dialogue between ideas and materials are established.This paper,centering on the origin and development of patchwork in China,and combining with the stitching characteristic of "patchwork",observes the use of patchwork in modern and contemporary ceramic creation from the perspective of local national culture,and links the dialogue between different artistic languages during patchwork by means of "intertextualism".The research idea of this paper is to make a comprehensive analysis based on the works of local ceramists,from the application of plane painting to the dual fusion of three-dimensional form,and then to the diversified heterogeneous isomorphism,to discuss the collage art under the Chinese local ceramic art language.