The Inheritance And Modern Change Of The Liaoge Of Zhuang In Pingguo

Liaoge is a traditional folk song popular among Zhuang people in Baise.In the long traditional society,Liaoge,as a traditional folk music,is closely related to the daily life of the Zhuang people,conveying the deep meaning and structure of the ethnic culture.Along with the modernization process,the Zhuang people of Baise Pingguo,Guangxi,who lived in the Zuojiang River basin,gradually built a cultural form based on the aggregation of blood,ethnic,geographical and spiritual relationships in the relatively closed social ecology in the past.This cultural form In the current society,the ambiguity is gradually faded.In the context of social development and cultural changes,the soil on which folk culture depends for survival has changed,the folklore of the daily life of the Zhuang people’s Liaoge has weakened,and the context of modern life conflicts with social thoughts and functional needs.The Liaoge of the Zhuang has a profound historical accumulation.The spiritual core and essence of the Liaoge inheritance are the rich cultural connotations that have been passed down and preserved for a long time.Culture is developed in the process of inheritance and reconstruction.Zhuang Liaoge not only inherits historical traditions,but also constantly adjusts to meet the needs of modern people.The process of fusion with modern times is the process of reconstruction of Zhuang Liaoge.Culture must be reconstructed under the condition of clearly recognizing and grasping the principles and laws of national economic development,so as to develop innovative types that meet the requirements of the times and the future.Cultural form.This article takes the Liaoge of the Zhuang in Pingguo City,Baise,Guangxi as the main body of research.It mainly uses the field survey method to elaborate on the historical process,inheritance content and modern reconstruction methods of the Liaoge development in Pingguo area.In analyzing the part of the inheritance and reconstruction of Liaoge,based on the field survey data such as the singing form of Pingguo Liaoge,the collection and sorting of song books,and the folk Liaoge organization,the horizontal development and vertical development were carried out separately.Discourse.Horizontal development includes content forms,folk custom functions,ideological concepts,etc.;vertical development includes content such as the subject of participation and the form of participation.Aiming at the survival status and development dilemma of Zhuang Liaoge,the author puts forward the requirements and principles that should be followed in the process of inheritance and reconstruction.Through the analysis of the transformation of the Liaoge of the Zhuang in Pingguo,the article extracts a path for the inheritance and development of Liaoge under the background of modern times in the people’s identity,thus providing a new path for the development of ethnic culture.The thesis is composed of three parts: introduction,body and conclusion.The introduction includes the reason for the topic selection,the research significance,the research purpose,the subject content,and the research theory and methods,etc.,and the related research status and research literature are sorted out in the article.The main body is divided into four parts.First,An overview of the Liao Songs of the Zhuang .This part includes two aspects.On the one hand,it is about Liaoge’s exposition,and on the other hand,it is about Liaoge’s vocal center,Dipingguo.Regarding Liaoge,one is the narration of the historical conditions and social basis of the Liaoge,and the other is a detailed statement of the conclusions of the field investigation on the content,type and form of the Zhuang people’s Liaoge.Regarding Pingguo,the article briefly introduces the geographical and social environment of Pingguo area.Combining the cultural form of Liaoge with the local customs and customs of Pingguo,the article discusses the general situation of Liaoge of Pingguo from the two dimensions of time and space of Zhuang people’s Liaoge.Second,the inheritance of the Liaoge of the Zhuang in Pingguo area.This part is divided into two chapters in the main text.On the one hand,it summarizes the cultural connotation inherited from the Zhuang’s Liaoge by explaining the textual content of the Zhuang’s Liaoge.On the other hand,it analyzes the main body of Liaoge’s inheritance.The traditional way of verbal inheritance of Liaoge singers coexists with the modern inheritance subject.As a traditional local folk song,Zhuang Liaoge is attached to the annual festivals,life etiquette and customs of the Zhuang culture.Belief culture and national memory exist,and together they form a distinctively characteristic material and spiritual cultural whole.To recognize and explore the existence of traditional folk culture resources requires an indepth understanding of the cultural body.Third,the modern transformation and reconstruction of Liaoge of the Zhuang in Pingguo area.This part puts forward corresponding principles for the plight of Zhuang’s Liaoge in contemporary social development.Combining the current development characteristics of the times and the requirements of the modernization background for traditional culture,the article studies the reconstruction mode of Zhuang Liaoge.This model is based on the historical process of Liaoge’s emergence,and divides Liaoge into three parts: song,book,and festival.The widespread application of new media as a communication method has affected the communication path of Liaoge.The article uses the online social platform We Chat group as an example to show the communication method of Pingguo Liaoge in new online media.In addition to satisfying the leisure and entertainment of the people in their spare time,the Liaoge of the Zhuang also undertakes the social function of the development of the times.It has important value in rural revitalization and economic and social development,cultural poverty alleviation and spiritual civilization construction,as well as solving the actual needs of aging.And meaning.In the multiple and complex modern social environment,Zhuang Liaoge must be reconstructed with the help of various external forces in order to participate in the current ethnic cultural development in a more diverse and inclusive attitude.