| Li Shangyin is a great poet in the late Tang Dynasty,and he also occupies an important position in the entire history of Chinese literature.The female crown poems created by him are especially difficult to grasp because of their vague,obscure,ethereal,and ethereal characteristics,which has aroused all kinds of speculation and controversy.Therefore,it is undoubtedly necessary to conduct an in-depth study of Shangyin’s women’s crown poems,to put forward some opinions on the focus of predecessors’ disputes and unresolved problems,and to interpret the characteristics of Shangyin’s women’s crown poetry and the cultural phenomenon behind it.of.The introduction part reviews the current research situation of Li Shangyin’s female crown poems,introduces the purpose and significance of the topic,and the research methods.The first chapter identifies the specific female crown poems in Shangyin’s poems.The first section explores the recognition of Li Shangyin’s female crown poems and its gains and losses in the Qing Dynasty.The Qing people used the three methods of "the use of immortal allusions","the textual research of the ability",and "the index-type association of guessing" to identify the women’s crown poems of Shangyin,breaking through some Qing people’s interpretation of the women’s crown poems from a purely "political" point of view.Limitations,but in the process of interpreting poetry,the error of subjectivity is too magnified.The second section determines the identification method and specific content of Li Shangyin’s female crown poem.Aiming at the deficiencies in the identification of people in the Qing Dynasty,it is proposed to use the method of "inspiring against the will" on the basis of "understanding the people and discussing the world",and then to identify Shangyin’s poems through the method of "using poems to prove poems",and on this basis,put forward "Taoist allusions","Bixing technique" and "tragic atmosphere" are the three major conditions of a female crown poem.Only when these three conditions are met can it be a female crown poem.To determine the title of the female crown poem.The second chapter discusses the love of Yuyang in Li Shangyin’s female crown poem.The first section analyzes the predecessors’ discussion on Yuyang’s love poems,namely,it is divided into two major factions of approval and denial.The second section puts forward my own opinion,that is,agrees with Yuyang’s love.This is discussed in two steps.First,refute the views of Zhou Zhenfu and Wu Rongfu who deny that Yuyang is in love.Secondly,some of the statements of Zhong Laiyin,Su Xuelin,and Chen Yixuan who agree with Yuyang’s love are supplemented and corrected.Through these two steps,we can show that Yuyang love poems exist,but we don’t need to go deep into their skills.The third chapter explores the relationship between Li Shangyin’s female crown poems and Taoist Chongyin thought.The first section discusses the origins and manifestations of Taoist Chongyin thought.It is believed that “Gui Zang” and “Taoist Doctrine” are the sources of Taoist Chongyin thought,and are based on “theoretical construction” and“the construction of female fairy pedigree”.Discuss the concrete manifestation of Taoist Chongyin thought.The second section demonstrates Li Shangyin’s recognition of Taoism and his respect for women.The “Vitality Theory”in Li Shangyin’s thought originated from Taoism,which proved his recognition of Taoism and his sympathy and indignation towards women’s tragic encounters,and also demonstrated his respect for women.The third section demonstrates the feminine characteristics of Yishan’s female crown poems,which are demonstrated from three aspects:feminization of mentality,feminization of choice of words,and locked-in space.The fourth chapter carries on the cultural interpretation of the image of the queen mother in Li Shangyin’s female crown poem.The first section is divided into two parts.First,it is argued that both the number "twelve" and the animal “toad” in Shangyin’s female crown poem refer to Queen Mother of the West.Second,first analyze Shangyin’s female crown poems that do not contain the “twelve”or “toad”but have the image of the queen mother,and then analyze the female crown poems that contain the image of “twelve”or “toad”,step by step,to This image of the Queen Mother reflects Yi Shanqi’s desire for love and the sadness of incomplete love.The second section analyzes the image of the queen mother in Shangyin’s female crown poems using the Anima archetypal criticism theory.Firstly,it demonstrates the fit between the Anima archetype and the image of the Queen Mother,and then discusses the Anima archetype’s dominance over Yishan.He believes that the function of the Queen Mother’s life-and-death transformation has merged into the life-and-death transformation of love in his heart.The orcification of the mother image and its ability to control the epidemic has alienated him into a sense of remote isolation.The conclusion part summarizes the discussion of the full paper. |
