This thesis takes Wang Anshi’s poems about reversing cases as the research object,and combines with his poetry to show the style of his poetry about reversing cases to explore his creative thinking and analyze the characteristics of poetry of reversing cases.Through the background of times and the family tradition,teacher’s instruction as well as political ups and downs examines the external influence of creating poetry of reserving cases,and the thesis studies the internal reasons from his personality and thoughts.At last,the study evaluates the value of Wang Anshi’s poems and its influence on other poets create poetry of reserving cases.In addition,the scope type of Wang Anshi’s poems of reserving cases are clearly presented,highlighting the significance and influence of his poems of reversing cases on Song Dynasty poetry creation.The first chapter combs the definition of poems of reserving cases by predecessors to redefine and inspect Wang Anshi’s poems of reserving case;besides,it introduces the general situation of Wang Anshi’s poems of reserving case,and briefly describes the overall grasp of Wang Anshi’s poems of reserving case in this thesis.On this basis,the thesis briefly analyzes Wang Anshi’s poems of reserving case creation in different periods.Chapter two analyzes the thinking mechanism of Wang Anshi’s poems of reversing cases,that is creative thinking.There are many types of creative thinking.In Wang Anshi’s poems of reversing cases,the most common are divergent thinking and converse thinking.The characteristics of creative thinking reflected in his poems are erudite,compatible,unique and independent.Wang Anshi actively seeks new changes in his poetry creation,changes his thinking,puts forward his own different opinions,and creates new ideas for poetry.Chapter three divides Wang Anshi’s poems of reserving cases into allusions,poems and public ideas.There are three kinds of allusions in his poems: historical allusions,literary allusions and Buddhist allusions and it accounts for the most.Poems of reserving cases can be divides into two categories: poetic code and literary code;Public ideas of reserving cases are to express his own unique views on common social phenomena or life customs in a certain place.Wang Anshi’s removals of allusions,verses,and conceptual phenomena show his unique insight and speculative ability.Chapter four analyzes the reasons of Wang Anshi’s poems of reserving cases,which are divided into two parts: external influence and internal reason.From the perspective of the cultural society in Song Dynasty,the policy of ruling the country by literature and the integration and development of culture made the literati in Song Dynasty have profound cultural connotation.Wang Anshi grew up in such an environment,and influenced by his family,teachers and friends,and political experience,he was easy to generate new ideas;his inner self-confident and persistent personality and erudite and innovative ideas make him critically absorb all kinds of ideas,and he transforms them into his own and often express his own amazing opinionsChapter five evaluates Wang Anshi’s creation of a large number of poems of reserving cases,and then analyzes its poems to provide a useful reference for contemporary poetry and future generations of poets.First of all,it opens the door for the creation of the poetry of reserving cases in Song Dynasty,which not only demonstrates the scholar’s academic foundation of the Song Dynasty,but also integrates the reality and speculation into one,and creates new ideas.There are both innovations and shortcomings.The main disadvantages are that the emotions of the earlier poems are directly exposed,scattered culture,and show off talents.Secondly,it analyzes the influence of Wang Anshi’s poems of reserving cases,mainly taking The Song of Ming as an example to show the upsurge of overturn cases at that time and in the Southern Song Dynasty,as well as lists the poets of Jiangxi poetic school,Yang Wanli,Lu You,etc.,to show the influence and enlightenment of Wang Anshi’s poems of reserving cases on the later poets. |