Research On Plant Image In Alai’s Works

As the mysterious world of Tibetan areas has been continuously discovered by the world and writers and scholars have paid attention to the natural world and ecological fields,plant images have increasingly become a component of literary works that cannot be ignored.For Alai,plants are a kind of spiritual habitat in his life,and the blood flowing continuously in the body of the Han-Tibetan co-organization.The ubiquitous hemlocks,pines,azaleas,etc.are not only objectively existing realistic images in nature,but also a microcosm of the ecological landscape and cultural spiritual world.Here,Alai is trying to use words to establish plants and people or the world.The bond of all things.Not only that,but Alai deliberately integrates plant images into his daily writing,and finds his own spiritual paradise in literary creation.Alai grew out of plant imagery in his creation,extended to touch many fields of literary creation,sincerely expressed his concern and love for plant imagery,permeated his deep worries about natural issues and literary sentiment,and formed himself Unique creative style and aesthetic experience.This article is mainly composed of an introduction and three chapters.The introduction part discusses from two aspects: firstly,explain the meaning of plant image and summarize its development status,clarify the reason why Alai uses plant image as an important part of his writing;secondly,summarize and comb the past research results of Alai’s works by the scholars,and Explains the research significance and innovation of this article,so as to provide support and possibility for this article to use plant image as the starting point to try to explore the deeper literary meaning in Alai’s works.The first chapter cuts from the perspective of cultural geography,and reveals the "Tibetan Symbols" style of Alai’s works by analyzing the regional differences of plant images.On the one hand,the unique identity of the Han-Tibetan mixed blood creates the uniqueness of Alai’s creative style,so the plant imagery in Alai’s creation will inevitably have a wonderful “Tibetan temperament”;on the other hand,through Alai’s creative style Compared with Tibetan writers such as Ma Yuan and Zhaxidawa,the plant imagery in Alai’s creation has regional customs and surpasses the general national description.He uses the plants of the Chengdu plain to consider the dialectical relationship between the ’city’ and the ’grass and trees’,thus extending the pursuit of natural beauty.The second chapter combines the plant imagery in Alai’s work with the related concepts of ecological aesthetics,paying attention to the current social development while paying attention to the conflicts between man and nature,and discovering the destruction of plants and the loss of mountain treasures to other natural fields Profound influence.From the perspective of ecological aesthetics,the author thinks deeply about how the relationship between man and plant coexists in this antagonistic relationship between humans and plants,then criticizes the illusion of anthropocentrism,and summarizes Alai’s sense of anxiety as a Tibetan writer.,Send ardent hopes to the far-reaching futureThe third chapter starts from three aspects: the plant worship under the influence of religion,the poetic style of language and the spiritual connotation of plants,and discusses the cultural meaning of plant images in Alai’s works.The first is from the perspective of religion,pointing out the important influence of Bon religion,and pointing out the "complex" state between plants and religion;the second is returning to the essence of the use of natural images,and further thinking about Alai’s works from within the literature.The special meaning of plant images;the third is to explore the spirit and thinking contained in it.Through the analysis of this chapter,we can reflect on human nature through plants,and even use plants to reflect on some social issues,so as to reflect the deep spirit of the work.This article uses plant imagery as the entry point of Alai’s creation and research.It can combine the plant writing in Alai’s works with cultural geography,ecological worry and cultural meaning,and explore the natural dimension and human nature under the plant image.Provide a breakthrough for the current research results of Alai.Plant imagery has been frequently used since classical literature.It is still used by authors as a tool for expressing feelings.It embodies the writers’ various thinking on life philosophy and natural philosophy,transcending nationality and timeliness,and from cultural geography and ecology.Interpretation,cultural meaning and other aspects analyze the writer’s dual thinking on nature and human nature,and provide a new way of interpretation for us to better understand and understand Alai’s works.