Research On Qian Nanyuan’s Rubbings And Calligraphy

The Qing Dynasty was a special historical period.The entire society was undergoing constant changes and rapid development.The development of the Qing Dynasty calligraphy circle also experienced tremendous changes.In the Qing Dynasty,the status of tablet studies was promoted,and the status of tablet studies gradually declined,and the dispute over tablet studies intensified.In this context,this thesis will return Qian Nanyuan to the mid-Qing Dynasty to study the development and changes of Qian Nanyuan’s unique calligraphy style.In the late Qing Dynasty,calligraphers of the Beibei School mainly studied Weibei and Beibei.In the article "Guangyizhou Shuangxiu·Tibian",Kang Youwei said: "Today’s scholars,Beibei and Hanli also,mainly receive the stele." Qian Nanyuan In the middle of the Qing Dynasty,it was influenced by the early calligraphers of the stele school who mainly studied seal script.Qian Nanyuan’s book was introduced from the "two kings",taking Yan style as the sect,learning the writing of Song people,and tracing back to the pre-Qin Zhuanzhu,Hanli,and Wei steles.Mi Fu and Su Shi studied the running script and entered the running script with Li Yi.The regular script is based on Yan Lugong’s "Mugu Fairy Altar","Dongfang Shuo Painting Praise","Yan Family Temple Stele",and incorporate seal meaning.Entering the Wei stele in his later years,the breath is ancient and elegant,approaching the Six Dynasty.Qian Shu integrates the calligraphy of the Stele School on the basis of the calligraphy of the Post School,and achieves the unity of the use of pen,structure and appearance of the calligraphy.The works are rich in the charm of the calligraphy of the Post School and also present the vigorous simplicity of the calligraphy of the Stele School..In spiritual pursuit and theoretical practice,he broke the sluggishness of the book world at that time,and injected a fresh and vigorous vitality into the book world.This thesis combs Qian Nanyuan’s artistic life and conducts an in-depth study of the formation process of the inscription fusion of calligraphy from three aspects: composition,use of pen,and use of ink.The first chapter analyzes the influence of the Qing Dynasty calligraphy development background on Qian Nanyuan’s calligraphy and understands Qian Nanyuan’s friendship deeds and changes in calligraphy art in southern Yunnan,Jinghua and Hunan.The second chapter mainly analyzes the calligraphic concepts of Qian Nanyuan’s calligraphy and rubbings,the source of the method,and the characteristics of the authentic calligraphy,and the detailed analysis and elaboration are carried out from the running script,regular script and the later works of the pen,the structure and the ink method.The third chapter analyzes the influence and value of Qian Nanyuan’s rubbing and writing style on later generations from two aspects.Qian Nanyuan’s calligraphy inscription fusion practice has formed a clear,strong,quiet,gentle and elegant style of Qingzheng calligraphy.It is a very unique brilliance in the history of calligraphy in the Qing Dynasty.It is also an important clue for studying the integration of inscription inscriptions in the late Qing Dynasty and the Republic of China.It has very important value and value.significance.