Research On Liang Zhangju’s Poetics

Liang Zhangju is a famous poet and scholar in Jia Dao period of Qing Dynasty.I discuss the poems of Liang Zhangju’s poetry in his later years,including his poems "Tui’ an Essay " and " Yuy-ang Poetry Essay ",and make an in-depth analysis on the formation of Liang Zhangju’s poetic though,the construction of poetic theory,the pursuit of poetic beauty,the formation and expression of Confucian thought,and the techniques of method.The paper is divided into three parts:clue theory,text and conclusion.Among them,the clue theory mainly includes the current situation,research methods and innovation points of Liang Zhangju poetry.The body is divided into five chapters,respectively discussing Liang Zhangju’s poetic ideological origin,the rich poetic system,the poetic connotation,the poetic practice of the world,and the rich poetic position,etc.Conclusion part is a comprehensive summary and objective evaluatio of Liang Zhangju’s poetics.The first chapter discusses the background of Liang Zhangju’s poetic thought.Liang Zhang ju was born in a learned family.The influence of the family’s academic atmosphere has played an important role in Liang Zhangju’s poetic achievements.In addition,the academic prosperity of Fujian,scholars to learn,which for Liang Zhangju literait career to create a good environment.The learning experience in the academic and the communication and chat with friends also piay a vital role in the formation of his poetic system.This chapter will focus on the analysis of the characters who have a profound impact on Liang Zhangju.The second chapter mainly discusses Liang’s poeties system,which is full and dominated by Confucian classics.Under the influence of the academic atmosphere of the thought of the Qing Dynasty,Liang Zhangju formed a serious style of study which advocated originality and pursed perfection.On the one hand,he inherits the sound of peace of "gentle and honest ",and interprets classical poetics with the concepts of " elegant ",and " tame " and so on.On the other hand,he also pursues the implicit and profound poetic expression,which requires that poetry should not only pay attention to reason,have roots,but also do inside and outside,increase the imagination space of poetry,and demand that the complex and subtle emotional songs be disliayde in limited words.The third chapter focuses on Liang Zhangju’s poetic concepts and poetic thoughts.The first is Liang Zhangju’s understanding of the concepts of learning ability,talent and temperament.In addition,the pormation of Liang Zhangju’s poetic thought mainly benefits from Wang Shizhen’s "charm" theory,Weng Fanggang’s "texture" theory and Yuan Mei’s "spirit" theory,so he will analyze Liang’s absorption of their thoughts from these three points.Finally,the thesis analyzes the connotation of his poetics form the point of view of Liang Zhangju and the poets of the dynasty.The fourth chapter is a summary of Liang’s poetic practice.Liang Zhangju’s poems strive to achieve "the world’s best ".His poetic practice is mainly manifested in three aspects: first,to achieve the use of Ming style,in order to learn poetry,and then to add allusions,discussion,textual research into poetry creation;second,to accumulate knowledge,poetry teaching,from the guidance of poetry creation and criticism and poetry skills teaching two angles;third,the Book of Songs as the basis,summed up Liang Zhangju’s poetic techniques and inheritance of everyone’s techniques.The fifth chapter is a study of Liang Zhangju’s poetic position,poetic requirements and the pursuit of poetic beauty.Through the exploration of poetic elements such as "Li " taste"and "Qi",this paper interprets and expounds the poetic criticism based on Tang Dynasty.His poetic requirements are first expressed as the importance of elegance and vulgarity,simple meaning,and the use of simple words to express the profound connotation is better.Secondly,he opposed to deliberate imitation,respected love words,think that good poetry must be natural,fresh style.In addition,the thesis also expounds Liang Zhangju’s pursuit of poetic beauty from three aspects:seeking truth,changing again and seeking nature.