The Beauty Of Flowerpot

Porcelain flower pots have been used for a long time as a decorative apparatus,and as one of the traditional ceramic flower types,which have both practical and aesthetic values,and can play an accenting role in the living environment with proper configuration of plants,highlighting the charm of China’s traditional design ideas.The Qing Dynasty was the heyday of China’s porcelain production process,and the official kiln porcelain flower pots were unique in terms of shape design and decoration design.This paper studies the evolution of porcelain flower pots of the Qing dynasty,taking the official kilns of the Qing dynasty as the object of study,using literature research met hod and image analysis method to study the evolution of porcelain flower pots of the Qin g dynasty.Second,the structural characteristics of porcelain flower pots from the rim,fo ot and waist are analyzed from three perspectives;the decorative themes,connotations an d layout of porcelain flower pots are discussed;based on this,the stylistic features,detail s of the form,color aesthetics and decorative techniques of porcelain flower pots are anal yzed in depth and summarized.The evolution of porcelain flower pots from the official k ilns of the early to the late Qing dynasty is summarized,and the aesthetic characteristics and historical and cultural background of porcelain flower pots from the official kilns of t he Qing dynasty are analyzed in order to explore the causes of their evolution;finally,the inspiration of porcelain flower pots from the official kilns of the Qing dynasty for conte mporary ceramic design is discussed.The porcelain flower pots of the Qing dynasty were influenced by the aesthetic style of the royal family,the popularity of the imperial bonsai art,and the continuous develop ment of porcelain production technology,which led to a continuous enrichment of stylisti c styles,a shift in the details of the form from delicate to simple,a shift in the layout of th e decoration from ingenious to redundant,a shift in the aesthetics of coloring from elegan t to vulgar,and a continuous enrichment of decorative techniques.