Explore The Inner Connection Between Freehand Sculpture And Calligraphy

Chinese calligraphy and Chinese freehand sculpture are treasures of traditional Chinese art.They are in the same cultural background.Their connection and commonality are due to the close connection and interaction between artistic language,formation and development.The concept of "freehand sculpture" was proposed by Wu Weishan in contemporary times.However,most ancient Chinese sculptures are freehand,which shows that the context of Chinese culture is closely related.The works that are most closely integrated with the times and have characteristics of the times must be a combination of cultural inheritance and innovation.This article starts from the origin of freehand sculpture and calligraphy as an entry point,deeply analyzes the internal connection between the two,and studies modern Chinese sculpture.After learning from Western sculpture in recent decades,he has returned to tradition and began to transform to study freehand sculpture,looking for a solution to freehand sculpture.The inner relationship between sculpture and tradition has found the origin of creation in calligraphy.Many contemporary sculptors have studied and absorbed the expressions of composition,layout,imagery,and charm in Chinese calligraphy art,and applied them to the creation of freehand sculpture.It has contributed to the revitalization of Chinese freehand sculptures,and on the basis of being appreciated by others,freehand sculptures provide viewers with more aesthetic imagination.For this reason,calligraphic elements are widely used by sculptors.Some are used to express the external image of the work,and some are included in the work,so that freehand sculpture is both traditional and contemporary.With Chinese culture in the world The scope continues to develop,and Chinese freehand sculpture is more sought after and loved by people all over the world.