A Study On The Formal Structure Of Blue And White Language

The creation source of my work "One Flower One World,One Leaf One Bodhi" is my reflection on the current era of "labeling".We live in a world that is filtered by human emotion and knowledge,so the things we perceive are determined by their appearance and their environment.A flower and one world,but through the "a" bodhi leaf of in-depth buddhist thought,from the unique perspective of "a flower" analyzes the life equal power and unique value,I will from the pure experience of cognition,as a personal nature of artistic creation,namely: the pursuit of universality and particularity.In the process of creation,the universality of mondrian modelling method and the show "special" banqiao chrysanthemum patterns for the combination of art form,drawn in cutting chrysanthemum patterns of restructuring in the geometry of splicing combination in the form of a composition,deliver the hot and cold collisions between the perceptual and the rational,the fusion of Chinese and western art;In terms of the expression form of blue and white language,Zheng Banqiao’s "Plum,Orchid,Bamboo and Chrysanthemum" is absorbed from its brushwork and the painting style of "Tuoshui" is presented in the porcelain plate painting,and through the combination of blue and white painting style with splash-ink,a new blue and white language form structure is established.