The Study Of Thought And Scenery Of Northern School Through The Views Of Kuanglu Painting

Chinese painting art is the representative of our Oriental Culture Treasure House,among which Chinese landscape painting presents the spirit of oriental culture.Since ancient times,the development of Chinese landscape painting has attracted people’s attention.No matter in the information age of abundant food and clothing,or in the war age of food shortage,the vitality of Chinese landscape painting will not disappear.The development of ancient Chinese landscape painting is to surpass the society and obtain spiritual freedom.Jing Hao is one of the important representatives who unified this creative idea in his works and painting theories and developed to maturity.He is also the originator of the Northern School of landscape painting.He left his descendants rich landscape works and famous landscape painting theories,and put forward a series of painting ideas.Among them,"six Essentials" is the basic condition for landscape painting creation,And "thinking" and "scenery" come from the "six essentials" in painting theory.In the creation of painting,the treatment of "thinking" and "scenery" determines the conception of the whole picture,the emotional expression and the effect of the picture.It also includes the thinking of other "Qi","Yun","pen" and "ink" in the "six essentials",so "thinking" and "scenery" are particularly important in artistic creation“ The proposition of "thinking" and "scenery" in landscape painting theory undoubtedly injects fresh blood into the development and innovation of landscape painting in the future.Focusing on "thinking" and "scenery",this paper first explores its theoretical origin,then analyzes "thinking" and "scenery" in Jing Hao’s bifa Ji,and takes his representative work "kuanglu Tu" as an example to explore the unity of Jing Hao’s "thinking" and "scenery" in theory and practice.Secondly,it analyzes the inheritance and development of "thinking" and "scenery" by the northern school landscape classic works,and finally explores the Enlightenment of this painting ideological system to the later landscape painting.