A Study Of The Book Of Poetry In Chinese Mainland In The Second Half Of Twentieth Century

Reviewing The Book of Poetry studies in Chinese mainland in the second half of twentieth Century,we can see that in the first seventeen years of the founding of the PRC,the study of Book of poetry in the 20 and 30s years was carried out.The important achievement in the first half of twentieth Century was the mainstream of Book of poetry research,and the important transformation from the original"Confucian classics" to "collation of national cultural heritage" was completed.At the same time,it also returns the truth of The Book of Poetry to the essence of literature,which is a great progress in the study of The Book of Poetry.From 1950s to 1960s,the historical materialism of Marxism had a great influence on the study of The Book of Poetry.At the same time,The Book of Poetry had a profound change in many aspects,such as concept interpretation and meaning interpretation The Book of Poetry is closely combined with the society of the Zhou Dynasty.The development of production mode,the change of social system and the change of class relations in the Zhou Dynasty,as the background of The Book of Poetry,have been deeply revealed.The basic understanding is that The Book of Poetry is not only an important literary heritage in China,but also an important "historical material" for social research in the Zhou Dynasty,which has great historical value.From the 1960s to the middle and late 1970s,during the cultural revolution,a special period of historical development,with the continuous entanglement of academic research and political purpose,the direction of academic research was biased,with too much emphasis on "academic service for politics",and the phenomenon of vulgar sociology and too much emphasis on class struggle appeared The ideological tendency of "Feng","Ya" and "song" in The Book of Poetry is directly related to the social class.When judging a poem in The Book of Poetry,we should not start from the specific content of the poem,but pay attention to the class position of the author of The Book of Poetry.However,it is worth noting that there are still real values in the study of The Book of Poetry in this period.For example,Gao Heng’s grasp of the exegesis of The Book of Poetry is accurate,and it is only limited to the theory of consciousness,which leads to their over emphasis on class struggle,which makes their study value of The Book of Poetry ignored by their predecessors.The study of The Book of Poetry at this stage is worth rethinking and summarizing.After the 1980s,with the policy of reform and opening up,the academic culture of the mainland has gradually set off a trend of "cultural fever".This trend of thought covers a very wide range.The most basic problem is the great debate on which is better between Chinese culture and Western culture,and the "contradiction" between the development of Chinese traditional culture and China’s modernization road.Facing these problems of cultural theory,the research field of classical literature promotes the establishment of national cultural consciousness The emergence of The Book of Poetry is reflected in the purposeful and conscious creation of Zhou people under the guidance of the cultural concept of rites and music and the concept of poetics.Most of the studies on The Book of Poetry after the 1980s abandoned the mechanical analogy of vulgar sociology,and can carry out the cultural "restoration" in the era of The Book of Poetry from the specific historical and cultural perspectives,that is,to understand the formation of The Book of Poetry from various comprehensive angles.At this time,the study of The Book of Poetry has made great progress.New archaeological evidence in the second half of the 20th century greatly promoted the pace of research on The Book of Poetry.The Book of Poetry was quoted from the Han bamboo slips unearthed in Fuyang County,Anhui Province,the volume of The Book of Poetry unearthed in Dunhuang,Gansu Province,the remnant volume of The Book of Poetry unearthed in Turpan,Xinjiang,the bamboo slips unearthed in Guodian,Hubei Province,and the Confucius poetics discovered in the 1990s,The discovery and research of these new archaeological materials have deepened the understanding of the early text appearance,circulation and Confucian poetics of The Book of Poetry..During this period,there were many phenomena to study The Book of Poetry from the perspective of cultural anthropology.With the introduction of western culture and theory,it is connected with Wen Yiduo’s previous study of The Book of Poetry with the method of cultural anthropology,forming a new situation of studying The Book of Poetry from the perspective of cultural anthropology in the new period.From the perspective of cultural anthropology,the study of The Book of Poetry focuses on the traces of the original era preserved in The Book of Poetry The cultural anthropology of The Book of Poetry expands a new field of the study of The Book of Poetry:the study of the origin of culture and the occurrence of poetry.Through the study of the occurrence of poetry art in The Book of Poetry,we can not only solve some problems in The Book of Poetry,but also deepen the understanding of the formation process of the text of The Book of Poetry,and it is also a beneficial exploration for the construction of the historical process of the occurrence of Chinese poetry.In the last 20 years of the 20th century,profound changes have taken place in society and politics,Academy and ideology,economy and culture.The study of the academic history of The Book of Poetry has achieved unprecedented prosperity;Or from a certain historical stage of the study of The Book of Poetry;Or from a certain scholar and his monograph,the research on the academic history of The Book of Poetry has achieved fruitful results.At the same time,the number of vernacular translations of The Book of Poetry not only increased,but also showed diversity in the form of translation.According to the form of translation,The Book of Poetry can be divided into four types:folk style,new metrical style,free style,new folk style and free style and metrical style.In short,The Book of Poetry in the Chinese mainland in the second half of the twentieth Century showed a general trend of prosperity and development.In the research method,it was combined with various scientific methods such as cultural anthropology and archaeology.Moreover,the study of Book of poetry not only returned to the literary research,but also expanded the cultural research perspective,and was able to get from religious belief,ideology,customs and habits.From the perspective of art genesis,we not only reconstruct the times of The Book of Poetry,but also have carried out the research of The Book of Poetry in traditional China,emphasizing to return to the cultural background of the interpretation of The Book of Poetry.At the same time,the integration of Chinese and Western cultures is also unfolded.In the process of cultural integration,The Book of Poetry is gradually"globalized",that is to say,from the perspective of the whole world,the study of The Book of Poetry is reevaluated and compared with western poetry,showing its unique cultural characteristics.