Research On The Development And Reform Of Marxist Aesthetics In China

Marxist aesthetics was introduced into China at the beginning of last century.Since the May 4th movement in 1919,marxist aesthetics has experienced a long development and reform in China.The research on the development and reform of marxist aesthetics in China has great theoretical and practical significance for the development of socialism with Chinese characteristics and the all-round development of human beings in the new era.This paper integrates and innovates the text and viewpoint of aesthetics from the perspective of research,and innovates Chinese aesthetics from the perspective of the reality of the construction of socialism with Chinese characteristics in the new era.In the research method,the author mainly adopts the method of literature research,the method of unification of history and logic,and the method of analysis.The paper is divided into five parts: the first part of the article summarizes the related theories of Chinese marxist aesthetics from the perspectives of aesthetics and marxist aesthetics,aesthetics and philosophy.The second part discusses the theoretical origin of Chinese marxist aesthetics,marxist aesthetics,Chinese classical aesthetics and western classical aesthetics.The third part focuses on the development of Chinese marxist aesthetics:By enlightenment aesthetics of wang guowei’s and liang qichao,caiyuanpei,three introduction,transition to the 20s and 30s of the first aesthetic boom,boom,and the second aesthetics-big discussion in the 50s and 60s of the 20 th century aesthetics,recapitulate aesthetics big discussion period set of subjective and objective,subjective and objective unified school and social practice to send four aesthetics,and finally discusses the third aesthetic boom since reform and opening up,recapitulate li zehou and zhu guangqian represented by“practical aesthetics”,jiang kongyang’s,“the old practice aesthetics”,chun-shi Yang,Zhang Hong’s,“after practical aesthetics”,“New practical aesthetics”represented by zhang yuneng and zhu liyuan.The fourth part summarizes the characteristics of the development of marxist aesthetics in China,including the spirit of realism,the spirit ofcultural tolerance and the prominent political nature,according to the development course and reform of marxist aesthetics in China.And summed up the difficulties of the development of Chinese marxist aesthetics and the basic experience of aesthetic discussion and aesthetic integration.Article last part,the value of a new era of Chinese marxist aesthetics is discussed,the development of Chinese marxist aesthetics thought conducive to the construction of marxist aesthetics theory system in China,to promote a new era of aesthetic education,promoting the construction of ecological civilization and promote the development of green and healthy environment,promoting the inheritance and development of culture.