Study On The "Chinoiserie" Tapestry Art Of The Royal Factory In France In The 17th And 18th Centuries

Under Louis XIV,The Beauvais、 Gobelin and Aubusson handmade tapestries workshop was appointed as the Royal tapestries workshop in France,and they began to weave tapestries based on drawings sent by the royal family.Among them,"Chinoseries" tapestries woven from Baroque to Rococo attracted the attention of tapestries experts and historians.A number of large-scale tapestries show the process of learning and imitating Chinese culture in France and even in Europe in the 17th-18 th century.Moreover,these " Chinoseries " tapestries have played an important role in the history of cultural exchange between China and the west,as well as in the interest of French crafts and arts.1、 Starting from the era of European navigation,this paper analyzes the historical background of France in the 17th-18 th century,and expounds the historical reasons for the emergence of French "Chinese style" artistic style.2、 Focusing on the weaving technology and business model of French "Chinese style" tapestries,this paper makes a comparative analysis of the three Royal handmade tapestries in the same period,i.e.Aubusson,Beauvais and Gobelin.3、 Through the analysis of the theme of "Chinese style" in the art of painting draft and French tapestry,the evolution process of Chinese characters such as emperor and lady in tapestry is combed in terms of text and image.4、 This paper analyzes,arranges and summarizes the painting draft and the French "Chinese style" tapestry pattern.5、 The social significance of French "Chinese style" tapestry can be divided into three sections: "promoting French local crafts","new art interest" and "influence on China",which elaborate its social significance and the significance of artistic style in the tapestry field.